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Foul Play: A Historical True Crime Podcast

S6 Ep9: Throwaways

Foul Play: A Historical True Crime Podcast

Shane L. Waters, Wendy Cee, Gemma Hoskins

Society & Culture, True Crime, History

4.5992 Ratings

🗓️ 6 October 2021

⏱️ 28 minutes

🧾️ Download transcript

Summary

Season Finale. For three years now I’ve been nailing these little red crosses into the ground. I know it doesn’t mean very much, but what the hell else am I supposed to do? Forget? Walk away with the same indifference I’ve resented in others? I know they don’t fix anything; I know they don’t make anything right. Maybe most people don’t even know what they are. In fact, I’m sure they don’t.

I could have marked the actual burial plots – but with what? I can’t put a name on them. I can’t fit my outrage on a little stone marker (what’s the character limit on those anyway?) Besides, putting a memorial in some remote corner of some equally remote cemetery, overtop of a forgotten body, is only going to result in a forgotten memorial.

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Hosted by Shane Waters. You can find his history podcast Hometown History here.

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Transcript

Click on a timestamp to play from that location

0:00.0

Language and content in this episode may not be appropriate for all listeners.

0:04.9

Listener discretion is strongly advised.

0:07.8

Some voices may come from voice actors, but the words are accurate to the interview described.

0:30.0

Long black outweigh, change me on.

0:46.4

If you've ever seen me in person, you might guess that I only hike out of love.

0:53.0

If you've been listening to my podcast over the last few years,

0:57.4

you'll know that I do a fair amount of hiking in spite of that.

1:02.4

The more frustrated I became with the lack of injustice for these women,

1:06.8

and the more helpless I began to feel,

1:09.4

the more I looked for ways to memorialize them in the public imagination.

1:14.9

The same public by which they had been discarded,

1:18.3

and from which they had disappeared more than 30 years ago.

1:23.6

The best thing that I could think of at that time was to simply mark the locations of their bodies,

1:30.6

the place along the interstate where they were discovered, following their murders.

1:36.7

The shape I chose for these markers is a traditional one, the cross,

1:42.2

which has significance to me for reasons I won't get into.

1:46.9

The color of these crosses is red for the red-headed women they represent,

1:53.2

but red is also the color of guilt, and of course, the color of blood.

1:59.7

There are six of these crosses now, dotting the interstate 40 corridor,

2:04.9

in another of I-70 in West Virginia,

2:08.8

and if you've listened to my podcast in the past,

2:12.0

you've probably heard me huffing and puffing on my way to each one of them.

...

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