4.8 • 833 Ratings
🗓️ 13 March 2024
⏱️ 40 minutes
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0:00.0 | Texas Monthly. |
0:07.0 | Hey there, I'm John Spong with Texas Monthly Magazine, and this is One by Willie, a podcast in which I talk each week to one notable Willie Nelson fan about one Willie song that they really love. |
0:23.6 | This week, six-time Grammy winner John Leaventhal, a virtuoso guitarist and one of the leading Americana record producers, |
0:32.0 | talks about the 1975 song that broke Willie's career wide open, Blue Eyes Crying in the Rain. Now, casual music |
0:39.8 | listeners will probably know John Best from two iconic 90s pop hits that he had a huge hand in, |
0:46.2 | Mark Cone's Walking in Memphis, and Sean Colvin's son he came home, as well as his collaborations |
0:52.1 | with his wife, Roseanne Cash, like her landmark albums |
0:55.7 | The Wheel and the River and the Thread. But with us, he's going to focus on Blue Eyes, the song |
1:00.6 | he says first clued him into the genius of Willie, before describing what it was like to be a young |
1:05.6 | picker working with Hall of Fame session players on Willie's pivotalivotal 1993 album across the borderline, |
1:12.5 | and then explaining why he thinks of Willie is a cross between Grady Martin and Pablo Picasso |
1:17.1 | and his late father-in-law Johnny Cash is a cross between Elvis and Abe Lincoln. |
1:23.4 | So let's do it. |
1:25.6 | Hey, it's art. |
1:50.0 | Yeah. So let's do it. It's hard. Where we start? Where we start is, what's we start is what's so cool about blue eyes crying in the rain? Well, you know, when I was approached about doing this, of course it's like choosing my favorite of any artist that I've been moved by is always challenging because I tend I'm not really wired |
2:02.3 | to have favorites. It's just, it's kind of all in the stew. But I realized, and for a minute I was going to |
2:10.3 | pick three days because I just kind of, I just kind of love that song. And, you know, it's just a great, you know, Texas, Ray Price Shuffle. |
2:20.0 | But it's got a cool twist on it, both musically and lyrically. |
2:24.5 | But then when I really, I went one step deeper, I realized that the Red-Haded Stranger record |
2:31.6 | and this track in particular is really if I look back is what |
2:36.4 | introduced me to Willie. Okay. And so it had in some ways the most direct and visceral |
2:43.1 | impact on me because there was a lot of things going on about it. It was like, correct |
... |
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