4.9 • 686 Ratings
🗓️ 3 July 2021
⏱️ 44 minutes
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0:00.0 | Everybody dies, didn't they? |
0:09.0 | Everybody come back. |
0:12.0 | Isn't that so? |
0:14.0 | You tried to get into the locked drawer today, didn't you? |
0:17.0 | How do the dead come back, mother? |
0:20.0 | What's the secret? |
0:21.2 | Four. |
0:28.0 | From that moment, I began to assume a certain interest in the eyes of Mrs. Oak, or rather, I began to perceive that I had a means of securing her attention. |
0:32.7 | Perhaps it was wrong of me to do so, and I have often reproached myself very seriously later on. |
0:39.9 | But after all, how was I to guess that I was making mischief merely by chiming in |
0:44.5 | for the sake of the portrait I had undertaken, and of a very harmless psychological mania, |
0:51.0 | with what was merely the fad, a little romantic affectation or eccentricity of a scatterbrained and eccentric young woman. |
1:00.3 | How in the world should I have dreamed that I was handling explosive substances? |
1:07.6 | A man is surely not responsible if the people with whom he is forced to deal, and whom he |
1:13.0 | deals with as with all the rest of the world, are quite different from all other human creatures. |
1:19.0 | So, if indeed I did at all conduce to mischief, I really can't blame myself. |
1:24.6 | I had met in Mrs. Oak an almost unique subject for a portrait painter of my particular |
1:29.6 | sort and a most singular, bizarre personality. I could not possibly do my subject justice so long as I was |
1:38.4 | kept at a distance, prevented from studying the real character of the woman. I require to put her into play, |
1:46.3 | and I ask you whether any more innocent way of doing so |
1:49.3 | could be found than talking to a woman and letting her talk |
1:52.3 | about an absurd fancy she had for a couple of ancestors of hers |
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