meta_pixel
Tapesearch Logo
Log in
Classic Ghost Stories

S02E38 Oke of Oakhurst Part 2

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 3 July 2021

⏱️ 44 minutes

🧾️ Download transcript

Summary

Oke of Oakhurst by Vernon Lee Part 2So the story develops. It begins by our painter narrator noting the strange fascination Alice Oke has for her namesake from 1626. I wonder whether that precise date is important?Later on, he discovers that not only is she wearing a dress copied from the 1626 Alice Oke’s portrait, but it is the very dress. She moons over the poetry of Lovelock and he notices that it is as if the poems were written to her. She seems to know the very words they spoke.She lingers in the Yellow Room, a room in which no Oke, except her could bear sit. William Oke notes the fact he hates the room, and all the Okes do, but says nothing has happened there. Then Vernon Lee drops the comment that perhaps something will happen there.I think the oak symbolism must mean something. So far I am just thinking it is to represent the solid, earthiness of William Oke of Oakhurst and his family. Also she mentions the cries of lambs separated from their mothers for at least the second if not the third time. So she either didn’t edit her draft very well, or this too is meant to be in and therefore symbolic.The 1626 Alice Oke killed her lover the poet Lovelock. She comes over as a bit of a psycho. I think 1880 Alice Oke is a different kind of weird. She is fey and withdrawn from reality where 1626 Alice seems a bit of a firebrand and a wicked woman.As 1880 drives madly through the countryside, to take our narrator to the murder spot, she seems possessed by this wicked highway-woman ancestress. In the yellow room, our man gets the idea that Alice 1880 does not seem to be another woman from Alice 1626 but the very same.I also note that the cavalier poet Lovelock (the cavaliers were the foppish ones who fought for the side of the king in the English civil war) was a dab band with a sword. Poets aren’t as cool these days.If You Appreciate The Work I’ve Put In Here https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music) by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

Everybody dies, didn't they?

0:09.0

Everybody come back.

0:12.0

Isn't that so?

0:14.0

You tried to get into the locked drawer today, didn't you?

0:17.0

How do the dead come back, mother?

0:20.0

What's the secret?

0:21.2

Four.

0:28.0

From that moment, I began to assume a certain interest in the eyes of Mrs. Oak, or rather, I began to perceive that I had a means of securing her attention.

0:32.7

Perhaps it was wrong of me to do so, and I have often reproached myself very seriously later on.

0:39.9

But after all, how was I to guess that I was making mischief merely by chiming in

0:44.5

for the sake of the portrait I had undertaken, and of a very harmless psychological mania,

0:51.0

with what was merely the fad, a little romantic affectation or eccentricity of a scatterbrained and eccentric young woman.

1:00.3

How in the world should I have dreamed that I was handling explosive substances?

1:07.6

A man is surely not responsible if the people with whom he is forced to deal, and whom he

1:13.0

deals with as with all the rest of the world, are quite different from all other human creatures.

1:19.0

So, if indeed I did at all conduce to mischief, I really can't blame myself.

1:24.6

I had met in Mrs. Oak an almost unique subject for a portrait painter of my particular

1:29.6

sort and a most singular, bizarre personality. I could not possibly do my subject justice so long as I was

1:38.4

kept at a distance, prevented from studying the real character of the woman. I require to put her into play,

1:46.3

and I ask you whether any more innocent way of doing so

1:49.3

could be found than talking to a woman and letting her talk

1:52.3

about an absurd fancy she had for a couple of ancestors of hers

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Tony Walker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Tony Walker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.