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🗓️ 4 November 2019
⏱️ 6 minutes
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Today's poem is Robert Herrick's "Delight in Disorder."
A sweet disorder in the dress
Kindles in clothes a wantonness;
A lawn about the shoulders thrown
Into a fine distraction;
An erring lace, which here and there
Enthrals the crimson stomacher;
A cuff neglectful, and thereby
Ribands to flow confusedly;
A winning wave, deserving note,
In the tempestuous petticoat;
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me, than when art
Is too precise in every part.
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0:00.0 | Welcome back to The Daily Poem here on the Close Reeds Podcast Network. I'm David Kern. |
0:09.0 | Today's poem is by Robert Herrick, a 17th century English poet and a minister. He lived from |
0:16.9 | 1591 to 1694. He's best known for his book Hesperides, Hesperities, which is a book of poems, |
0:25.6 | which includes a very famous poem called To the Virgins to Make Much of Time. And it's got that |
0:30.9 | first line that you've probably heard before, gather ye rosebuds while you may. But the poem that |
0:35.5 | I'm going to read today is called Delight in Disorder. |
0:39.0 | This is how it goes. A sweet disorder in the dress kindles in clothes, a wantonness, a lawn about the |
0:49.8 | shoulders thrown into a fine distraction, an erring lace, which here and there enthralls the crimson |
0:56.5 | stomacher, a cuff neglectful, and thereby ribbons to flow confusedly. |
1:02.7 | A winning wave, deserving note, in the tempestuous petticoat, a careless shoestring, in whose |
1:09.5 | tie I see a wild civility. Do more bewitch me than when art is too precise |
1:15.7 | in every part so this poem has a couple of visual things to stand out you know the first time |
1:25.6 | you ever read it you'll'll notice them. Every two |
1:27.9 | lines, every couplet ends with a colon. So you've got one, two, three, four, five, six |
1:34.5 | colons, all leading to the final couplet, which says, do more bewitch me than when art is too precise |
1:42.1 | in every part. So we have these six rhyming couplets, which then leads into that final |
1:46.9 | couplet, which is sort of our resolution, it's the theme of the whole poem, kind of stated |
1:51.9 | pretty neatly. It's as if each of those couplets before are numbers that are going to |
1:58.5 | add up to something, almost like a mathematical equation or something like that. |
2:03.1 | But there's also some really nice lines in here, |
2:05.7 | some nice line work. |
2:07.1 | In her book, The Rules for the Dance, |
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