4.6 • 729 Ratings
🗓️ 1 March 2024
⏱️ 7 minutes
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Today’s poem comes from one of America’s most beloved and decorated poets, Richard Wilbur. Don’t be put off by the title; no matter the subject, Wilbur’s poetry is always so marvelously companionable–desert island reading if ever there was.
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0:00.0 | Welcome back to The Daily Poem, a podcast from Goldberry Studios. |
0:04.0 | I'm Sean Johnson and today is the 1st of March, 2024. |
0:09.0 | Today's poem is by Richard Wilbur, one of our favorites here at the Daily Poem. |
0:14.0 | Wilbur was born on this day in 1921. |
0:19.0 | Happy birthday to Richard Wilbur. The poem I'm going to read today is called |
0:25.1 | The Death of a Toad. I'll read it once, offer a few comments, and then read it again. Here's |
0:32.4 | the death of a toad. A toad the power mower caught, chewed and clipped of a leg, |
0:41.1 | with a hobbling hop has got to the garden verge, |
0:44.1 | and sanctuaryed him under the cineraria leaves, |
0:47.2 | in the shade of the ashen, heart-shaped leaves, |
0:50.7 | in a dim, low, and a final glade. |
1:01.0 | The rare original heart's blood goes, spends on the earth and hide, in the folds and whizzinings, flows in the gutters of the banked and staring eyes. |
1:06.0 | He lies as still as if he would return to stone, and soundlessly attending, dies toward some deep monotone, |
1:14.8 | toward misted and abulient seas and cooling shores, toward lost amphibia's emperies. |
1:21.6 | Day dwindles, drowning, and at length is gone in the wide and antique eyes, which still appear to watch across the castrate lawn, |
1:30.9 | the haggard daylight steer. |
1:39.1 | It has been said about Richard Wilbur's poetry |
1:41.7 | that it has the unique virtue of being instantly |
1:47.1 | recognizable as poetry and being approachable, even to the uninitiated, that you don't have to |
1:59.5 | know much about poetry or be a poetry person to find some handles to grab onto in the poetry of Richard Wilbur. |
2:10.0 | And yet, it also offers a depth that rewards slow and careful contemplation, repeated reading, and it's rare that |
2:22.4 | both of those things can be offered in equal measure in a single poem or the work of a single |
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