Return of the Jedi: the Music (part II)

The Soundtrack Show

iHeartPodcasts

Film History, Music History, Tv & Film, Music

4.9 • 1.5K Ratings

🗓️ 11 December 2019

⏱️ 67 minutes

🔗️ Recording | iTunes | RSS

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Summary

In part 2 of our analysis, we look at roughly the first half of Return of the Jedi. We discuss each cue, its dramatic effect, and the creative process behind the final presentation. The diagetic, in-world music is also discussed, and we compare the original 1983 music to the changes that were made in the 1997 Special Edition. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	Louis Thruu Interviews is back on BBC Eye Player.
0:04.0	Thank you for letting us in.
0:05.0	Letting you in, we've taken over.
0:07.0	I'll be having honest chats with some well-known faces,
0:10.0	like Anthony Joshua.
0:12.0	When I be the champions of the division, then you'll see me exciting.
0:14.0	If you beat Tyson Fury,
0:16.0	I'll be able to move.
0:17.0	Ray.
0:18.0	I don't know how I would handle some things that I've experienced without music.
0:21.0	And Ashley Walters.
0:23.0	I had no reason to be out on the street, do you know what I'm saying?
0:25.9	Louis Thru interviews.
0:27.4	Watch on BBC Eye Player.
0:30.2	The following is an I-Heart Radio podcast. The Soundtrack Show will begin in five, four, three.
0:37.0	While its diagetic music has gone through changes over the years, the beginning of Return of
0:46.6	the Jedi is a triumphant musical adventure.
0:51.4	This is the soundtrack show. Oh, Oh, The Welcome back to the soundtrack show. I'm your host David W Collins and this is
1:48.8	part two of our look at Star Wars episode six of the Jedi, a film from 1983 produced by George Lucas and Howard
1:57.0	Kazangian, directed by Richard Marquand with a film score by John Williams.
2:03.0	By the end of 1980, the English recording studio known as Anville Studios in Denham, the home of the Star Wars and Empire Strikes Back orchestral recordings, had been sold and demolished by its new owner.
2:23.8	As a result, legendary recording engineer Eric Tomlinson had to find a new home for his work,
	...

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