4.2 • 3.5K Ratings
🗓️ 8 July 2024
⏱️ 49 minutes
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The world of fine art is full of multimillion dollar one-of-a-kinds and breathtaking masterpieces. But it’s also rife with fraudsters and forgers. When fakes demand a fortune, what does that say about the intrinsic value of art?
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| 0:00.0 | Funding for this podcast comes from Math Works, creators of Mat Lab and Simulink software, |
| 0:06.0 | accelerating the pace of engineering and science. Learn more at Mathworks. |
| 0:11.0 | com. Work's dot com. In February of 2022, the Orlando Museum of Art opened an exhibit that seemed too good to be true. |
| 0:25.0 | 25 paintings by the world famous Jean-Michel Basque have never been unveiled to the public. |
| 0:30.0 | Starting this weekend, Central Floridians will be the first in the world to see them up close and personal. |
| 0:37.0 | The museum was showing the previously unknown Basquiat's. |
| 0:41.0 | He is one of the best known contemporary artists in the world. |
| 0:44.1 | Baskiat rocketed to fame in the 1980s when he was just in his 20s, a contemporary of Andy Warhol |
| 0:50.3 | and Keith Herring. He was of Haitian and Puerto Rican descent, and he captivated |
| 0:55.2 | viewers with his graffiti and street art-inspired paintings. But Jean-Michel Basquiat was just 27 years old, |
| 1:02.2 | when he died of an accidental drug overdose in 1988. |
| 1:07.0 | Well, in February of 2022, the Orlando Museum hosted a VIP reception on the exhibits opening weekend, open bar, signature |
| 1:16.0 | cocktails, a DJ. Museum director Aaron DeGroft told local TV station Wesch II News that it was a record-breaking event. |
| 1:25.0 | They just want to come out. They want to see things. They want to be enlivened. |
| 1:29.7 | And when you talk about the hottest artists in the planet, not many people can say that. |
| 1:36.3 | But where did these more than two dozen mysterious artworks come from? The museum said Baskyat had painted them in |
| 1:45.1 | 1982 while living in Los Angeles. The paintings had never been seen before and |
| 1:51.0 | according to the museum that's because they'd been stashed in a |
| 1:55.1 | screenwriters storage unit for decades. Or maybe they hadn't. The New York Times pointed out this small imprint by FedEx on the back of one of the cardboard paintings. |
| 2:08.0 | In the article, a graphic designer claims the font wasn't used by FedEx until after Baskyat's death. |
| 2:14.0 | Some curators and Baskyat experts raised doubts. |
| 2:18.0 | Others stayed quiet. |
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