River of Shadows (Penguin); Hope in the Dark (Nation)
In her poetic biography, Rebecca Solnit uses the figure of photographer Edward Muybridge to discuss a whole range of metaphysical issues...
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.0 | You are a human animal. |
0:11.2 | You are a very special breed. |
0:15.0 | Or you are the only animal. |
0:18.6 | Who can think, who can reason, who can read. |
0:22.4 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
0:27.2 | Today I'm fortunate to have as my guest, Rebecca Solnit, whose book River of Shadows from Penguin |
0:33.4 | is about Edward Moibridge and the consequences of the analytic that allowed him as a photographer |
0:41.8 | to chart space by breaking it down into increments of motion. This book is only part biography, |
0:50.3 | although it is a biography. It's also a book about landscape, space, the beginning of the movies. In other words, it's an intellectual biography, a rare kind of book. Were there models for this kind of thing for you? |
1:07.7 | There were some. For example, there's a wonderful book called Other Powers about Victoria |
1:13.0 | Woodhull, who was part of both the feminist movement and the spiritualist movement in the United |
1:17.0 | States, and was at the center of a group of other interesting characters. That was an interesting |
1:21.8 | book for me, and I think there were a number of others that were interesting, but that was the one that |
1:27.1 | stood out most. |
1:28.4 | One of the previous books that had been sent to me was von der Lust, a history of walking, |
1:35.1 | and it fascinated me because it seems that one book leads directly to the next. |
1:41.9 | Every book for me is an investigation that answers the questions I started with and leaves me |
1:46.1 | with new questions. And for me, there's a clear trajectory from the first book, certainly up through |
1:50.9 | River of Shadows, although there's some scenic detours too. And wanderlust is a history of walking, |
1:56.2 | which might seem a little bit different than a history of the man who laid the groundwork for motion |
2:00.4 | pictures in California in the 1870s. But the book of... a little bit different than a history of the man who laid the groundwork for motion pictures |
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