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This Is Uncomfortable

Reality (TV) bites

This Is Uncomfortable

Marketplace

News, Business

4.83.5K Ratings

🗓️ 29 June 2023

⏱️ 44 minutes

🧾️ Download transcript

Summary

When reality dating fans tune into their favorite shows like “The Bachelor,” they expect to see dramatic rejections, hateable villains—all the staple elements of the genre. These formulas keep audiences watching and keep the money rolling in for TV networks. And for a relatively small price—networks don’t have to pay teams of writers, and sometimes they don’t even pay the cast. But while corporations profit, there is a hidden cost for the people who make these shows so entertaining. On this episode, we’ll hear about the long-term costs of making reality dating shows from Nadia Jagessar, a contestant on “Indian Matchmaking,” as well as former “Bachelor” producers Jazzy Collins and Michael Carroll.

Transcript

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0:00.0

Money is essential, but there's so much we aren't taught about it.

0:04.4

In fact, while I was in college, I've racked up $20,000 in credit card debt on top of my student loan.

0:11.5

That was all before I actually learned anything about money.

0:15.6

I'm Janelia Spinal, an online new podcast financially inclined from Marketplace.

0:21.2

I'll teach you simple money lessons so you don't make the same mistakes I did.

0:26.4

Listen to financially inclined wherever you get your podcasts.

0:33.2

When Michael Carroll started working as an assistant for the Bachelor in the early 2000s,

0:38.3

reality dating shows were still a relatively new concept.

0:42.0

Producers were mostly winging it, experimenting with different ways to make compelling TV.

0:47.2

Michael was intrigued by how they would create all this drama between contestants.

0:51.9

Just pulling emotion out of people and making people do things or

0:57.5

planting seeds to make people think or do things.

1:00.3

I was like, wow, this is fascinating.

1:03.2

Michael wanted to know what it felt like to pull the strings.

1:06.4

There's a power that comes to the realization that you can manipulate people into doing things

1:11.8

you want them to do. But it wasn't just about the power. He was more so drawn to the creative

1:17.1

process of figuring out how to make something out of nothing, how to craft a juicy,

1:22.2

dramatic storyline. When he got a promotion and became a producer, he finally got his chance.

1:28.6

One of the most challenging parts of his job was during the highly anticipated Rose ceremonies.

1:34.4

If you are not familiar, that is when the Bachelor chooses which of the women

1:38.1

vying for his affection will make it through to the next episode.

1:41.0

We are all going into the Rose ceremony. It's really nerve-wracking just because there's a chance

...

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