How do you orchestrate a painting? How do you take the detail and the visual imagery of a painting and translate that into something that is so vivid that even if you’ve never seen the painting before in your life, you can picture it as clearly as if it was right in front of you? Most people look at a painting for no longer than a minute or two at a museum, so how do you sustain that image over nearly 20 minutes of music? Well, to answer all of these questions, all you need to do is look at Rachmaninoff’s brilliant tone poem, The Isle of the Dead, which he wrote in 1908. In 1907 Rachmaninoff saw a black and white reproduction of a painting by the Swiss artist Arnold Bocklin entitled The Isle fo the Dead. This painting had cause a storm of interest all across Europe. Vladimir Nabokov said that prints of the painting were found in every home of Berlin, Sigmund Freud owned a copy, as did Lenin. Bocklin painted 5 different version of the piece, but they all had the same theme - a desolate haunting image of a large rocky island, with a solitary boat with a coffin approaching it. It is said that the painting portrays the mythological river Styx, and even reproduced on the computer, it is a striking image. From that encounter, Rachmaninoff sat down and created one of his most underrated and enduring compositions, the masterful Isle of the Dead, which features a gigantic orchestra that very rarely shows off its full power, a rhythmic character that is both inevitable and unstable, and an unsettling and haunting theme that followed Rachmaninoff throughout his life, the Dies Irae. We’re going to talk all about this brooding and mysterious piece on this Patreon sponsored episode this week - join us!