3.9 • 1.1K Ratings
🗓️ 1 March 2022
⏱️ 7 minutes
🧾️ Download transcript
Become a backer of Daniel or Jack to get exclusive access to a new bonus episode.
Becoming a patron also brings access to all other bonus episodes.
This time we talk about Maus by Art Spiegelman.
Our episode about Maus and the McMinn County School Board
Auschwitz in Contemporary Popular Literature by Dr Wanda Witek-Malicka
Of Mice and Memory by Joshua Brown
Daniel's Patreon: https://www.patreon.com/danielharper/posts
Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true
Please consider donating to help us make the show and stay independent. Patrons get exclusive access to one full extra episode a month.
IDSG Twitter: https://twitter.com/idsgpod
Daniel's Twitter: @danieleharper
Jack's Twitter: @_Jack_Graham_
IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1
Click on a timestamp to play from that location
0:00.0 | IDSG bonus episodes are a regular extra just for Patreon backers of myself or Daniel. |
0:06.0 | Here's a preview of the new one. The book has a kind of a storied history through publication |
0:11.1 | because it started out as a sort of insert strip in a comic. And of course by comic what we're |
0:18.5 | talking about is an American underground comic. And it started as a sort of repaid strip in 1972. |
0:31.4 | Yeah, in the 70s, in an underground comic called Raw. And this was kind of in the, |
0:36.1 | I suppose it was kind of the aftermath of the heyday because the heyday of the underground |
0:40.0 | comic was was really sort of the late 60s, early 70s, you know, Robert Crumb and stuff like that. |
0:45.5 | And so this is still kind of the heyday, but it's the latter end of the heyday of the American |
0:49.6 | underground comic. And in Raw, I believe it was called, yeah, this insert comic strip called |
0:56.1 | Mouse by Spiegelman, which is actually quite different. It's quite similar in some ways and |
1:00.7 | quite different to the eventual comic. The art style is more detailed and that the Nazi cats are |
1:06.0 | much, much bigger than they end up in the in the finished product, etc. It's kind of like |
1:09.3 | his first go with it, you know. And then he, as I say, he sort of gives it another pass and you |
1:16.0 | end up with the material that ends up being what was published as mouse volume one, which is kind of like |
1:23.6 | the, it's basically the first half of the complete story. Right. And I think there's a distinct |
1:29.8 | difference if we're talking about the artistic merit. I think mouse one and mouse two have like |
1:34.6 | there's a there's a very, you can see the evolution of the artists through these two books. And I |
1:40.0 | almost think it's not worth like considering the books together almost, although I think we're |
1:45.2 | going to end up doing that. But like really looking at it critically, I think mouse one and mouse |
1:50.0 | two are very different texts, you know, but yeah. Well, this is one of the interesting things about |
1:57.3 | the book that we might end up talking about, which is the fact that the book kind of contains |
2:02.0 | ruminations on its own writing, because the the second volume is written after the publication |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from IDSG, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of IDSG and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.