Hey Adam.

What's up?

How do you spell save?

Command S.

Very good.

I'm Adam Anus.

And you're listening to the you'll hear at podcast

daily jazz advice coming at you that intro was brought to you by our assistant producer

Alexis who's manning the board right now yes yeah we've been we've been preaching to her I think

we're preaching to the choir but we've been preaching command S command S command S it's a big part of logic it's a big part of CABETH anything at the Mac computer I think we're preaching to the choir, but we've been preaching Command S, Command S, Command S, Command S.

It's a big part of logic. It's a big part of Sibb-any. Anything at the Mac computer, I think it's important. I don't think any of our users would be that surprised with how many episodes we've lost by not Command Sing. Anyway, what are we talking about today? Today we're talking about using our left hand at the piano. So this is a piano-centric one. So if you don't play piano,

you are, you're sorry, you'll hear it. Consider this, you'll hear it. But we are, we're continuing, even though we're on, it's Monday, it's a whole new week. We're still at the piano. We still, man, this is, I can't believe we slept here under the piano all weekend. You just it we love it and we we know you love it so

we're going to keep on with it and this is uh this is important yeah this is important so and really

this can be for anybody because we were talking about and talking to horn players and vocalists and

drummers and everything all the time about you know up in their piano game and how much that can

help their jazz development it's it's a wellknown thing. And you're never too early to kind of get the left-hand involved in the party and the melodic party. And that's kind of how I like to look at it because there's a lot of things that we learn to do with the left hand. But it's just like anything, you get into the habit of doing whatever it is that you're doing.

And it's not just a little comping machine here.

That's right.

Although it's good at that.

It's very good at that.

And jazz musicians are notoriously known for being one-handed pianists in a way that I

think is a little unfair.

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