4.6 • 2K Ratings
🗓️ 6 June 2024
⏱️ 73 minutes
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Documenting a culture can be a daunting process, especially when it involves a history of conquest and colonialism. Synthesizing such a complex and traumatic past in a contemporary narrative is a formidable task, requiring extensive researchh and dedicated planning. This is the back story to today’s podcast.
Above photograph © Juan Brenner
For the seventh chapter in our monthly series, Picturing World Cultures, we speak with Guatemalan photographer Juan Brenner about his recent projects in the country’s Western Highlands.
Our chat begins with Brenner’s introduction to photography as a youth, and the protective bubble surrounding him during the country’s brutal civil war. He left Guatemala at age 20 to forge a career as a fashion photographer in New York, which filters into our discussions about portraiture and photo gear.
But our primary focus is on Brenner’s recent personal projects, created after his return to Guatemala, and an epiphany he had about the idea of “Indigenous Power.”
Listen in as he describes how this concept was subsequently called into question. You’ll gain insight into the unequal power quotient that comes with being a “Mickey Mouse” photographer and discover how critical aspects of communication extend well beyond the basic structure of language.
As Brenner notes during our chat, “You have to be really careful just being a photographer. It's so colonialist, you know, having a camera. You have this big robot that you stick in people's faces. You have this advantage. And, for me, it's really important to think about that a lot.”
If you haven’t already listened, check out all the episodes of our Picturing World Cultures podcast series here.
Guest: Juan Brenner
For more information on our guest and the gear he uses, see:
https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-juan-brenner-guatemala
Stay Connected:
Juan Brenner Website: https://www.juanbrenner.com
Juan Brenner Instagram: https://www.instagram.com/juan_brenner
Juan Brenner Twitter: https://www.twitter.com/JuanBrenner5/
Artist talk with Juan Brenner: https://www.youtube.com/watch?v=FPiwQXWUMJ8&t=40s
Juan Brenner’s book Tonatiuh: https://editorialrm.com/en/producto/tonatiuh/
Click on a timestamp to play from that location
0:00.0 | You're listening to the B&H Photography Podcast. I'm Jill Waterman, the show's creative |
0:07.8 | producer. I'm also host of our new monthly series, Picturing World Cultures. |
0:17.0 | Documenting a culture can be a daunting process, particularly when it involves a history of conquest and colonialism. |
0:26.0 | invading forces wreak havoc on native populations, |
0:29.7 | seizing power and scrambling cultural codes in ways that echo across generations. |
0:37.4 | The framework for communication shifts adding to the potential for misinterpretation and missteps. |
0:44.4 | Synthesizing such a complex and traumatic past in a contemporary narrative |
0:48.9 | is a formidable task requiring extensive research and dedicated planning. |
0:54.0 | This is the backstory to today's podcast which explores indigenous culture in |
0:59.5 | Guatemala. Our guide on this journey is Juan Brenner, a self-taught photographer born and raised in Guatemala City. After forging a career as a fashion |
1:16.0 | photographer in New York for more than a decade, Brenner returned to his native |
1:20.3 | Guatemala where he began making work about the people and the complex territory |
1:25.4 | in the country's Western Highlands. |
1:29.0 | He uses photography to reflect on the fluidity and abstract nature of identity and territory and the way power structures and inequality continue through time. |
1:39.0 | Renner's photographs have been featured in publications internationally and his first monograph |
1:45.8 | Tonatia was shortlisted for the 2019 Parry Photo Aperture Foundation First Photo Book Award. |
1:54.0 | For the same project, he was a winner of LensCulture's 2019 Emerging Talent Award. |
2:01.0 | Additionally, he's a founding member of the art gallery and project space, Proietos Ultra Vialeta in Guatemala City. |
2:10.0 | Juan Brenner, welcome to the show. |
2:15.0 | Thank you very much Jill. |
2:18.0 | I'm so happy to be here. |
2:20.0 | It's great talking with you today. |
... |
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