4.6 • 2K Ratings
🗓️ 1 February 2024
⏱️ 61 minutes
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While Joshua Irwandi was born and raised in Indonesia, the early pictures he made during his first visit to the region of Asmat, in the province of West Papua, were less than satisfying to him. Yet his fascination with the people and the place stuck, inspiring him to embark on the long-term project Not a Blank Canvas.
In this third installment of our monthly series, Picturing World Cultures, we speak with Irwandi about his experiences documenting the people and landscape of Asmat, which offers a window into long-held traditions and the sweeping changes he’s observed there over the past 10 years.
Listen in as Irwandi describes how tapping into the region’s rich history through museum collections holding Asmat art proved an important part of his background research. We also discuss the connections he forged with the local Catholic church, and how the many years an American missionary spent learning about and embracing local ways led to a blending of Catholic celebrations and iconography with traditional Asmat feasts.
Contrary to western holidays, Asmat feasts are celebrated for months on end, and Joshua sheds light on their mystical origins through dreams, and the performative rituals that he was privileged to witness and photograph.
In equal measure, he touches on the changing roles of a people who are essentially subsistence hunter gatherers within contemporary society, and the recent effects of transmigration and gentrification on the region’s native inhabitants, which also forms a part of his documentation.
Self-described as a naturally shy person, Irwandi’s approach to making pictures for this project is to play the long game, while planning for longer visits that allow him to be a “constant observer,” as he describes it.
“I don’t pretend I have all the knowledge,” he says. “But I guess it’s easier to come and connect with the locals when you walk in like a new blank piece of book, wanting to learn, rather than assume that you know about them already.”
If you haven’t already heard them, prior episodes of our podcast series Picturing World Cultures can be accessed at the links below:
Wayne Quilliam discussing Australia’s indigenous communities: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania
Kiana Hayeri reflecting on her work in Iran and Afghanistan: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-kiana-hayeri-iran-afghanistan
Guest: Joshua Irwandi
Above photograph © Joshua Irwandi
For more information on our guest and the gear he uses, see:
https://blogd7.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-joshua-irwandi-indonesia
Stay Connected:
Joshua Irwandi Website: https://www.joshuairwandi.com/
Joshua Irwandi Instagram: https://www.instagram.com/joshirwandi/
Joshua Irwandi Facebook: https://www.facebook.com/joshua.irwandi/
Joshua Irwandi X: https://twitter.com/joshirwandi/
Asmat Museum of Culture and Progress: https://asmatmuseum.org/en/
Joshua Irwandi National Geographic Explorers Page: https://explorer-directory.nationalgeographic.org/joshua-irwandi
Joshua Irwandi’s story for The Globe and Mail: https://www.theglobeandmail.com/world/article-how-to-move-a-capital-city-an-exclusive-look-at-indonesias-plan-to/
Pulitzer Prize page for Irwandi’s Photo The Human Cost of COVID-19:
https://www.pulitzer.org/finalists/joshua-irwandi-freelance-photographer-national-geographic
Click on a timestamp to play from that location
0:00.0 | You're listening to the B&H Photography podcast. I'm Jill Waterman, the show's |
0:05.4 | creative producer. I'm also host of our new monthly series, |
0:11.4 | picturing world cultures. our new monthly series, Picturing World Cultures. |
0:15.2 | How do you begin to tell the story of a remote culture caught up in changes imposed by |
0:19.8 | modern society? What methods can you use to get beyond a surface view to make |
0:26.2 | compelling pictures that accurately reflect daily life? And how do you |
0:31.4 | negotiate tense situations that may arise, particularly when people view themselves as a commodity rather than as a photographic subject? |
0:41.0 | These are just a few of the questions we unpack with today's guest documentary photographer Joshua |
0:47.0 | Irani. |
0:48.0 | Born and raised in the Indonesian capital of Jakarta, Joshua first visited the remote region of Asmat the Since that first visit he has returned to the region numerous times for longer stays, |
1:09.4 | even embedding as a staff member at the Asmat Museum. |
1:14.5 | His resulting project, not a blank canvas, |
1:17.7 | is a long-term documentation of the Asmat people |
1:20.9 | and the changes to their identity and landscape that have occurred in the past 10 years. |
1:27.0 | Joshua's photographs from this project have received widespread acclaim, earning him a spot in the mentorship program of the Photo Agency 7 and |
1:35.2 | as a National Geographic Explorer, among many other accolades. |
1:41.4 | In 2021, his project was awarded with a National Geographic Society Storytelling Grant, |
1:47.0 | and he was selected as a speaker for the National Geographic Storytellers Summit. |
1:58.0 | Joshua Erwandi, welcome to the show. |
2:00.0 | Thank you so much Jill. Happy to be here. |
2:02.0 | Great talking with you. So how did you decide to start a long-term project on the |
2:06.5 | Asmat people and when was the first time you visited there? So I first came to Osmott in 2013. |
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