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5 Minutes in Church History with Stephen Nichols

Philadelphia Museum of Art Miscellany

5 Minutes in Church History with Stephen Nichols

Ligonier Ministries

Christianity, History, Religion & Spirituality

4.81.7K Ratings

🗓️ 10 October 2018

⏱️ 5 minutes

🧾️ Download transcript

Summary

On this episode of 5 Minutes in Church History, Dr. Stephen Nichols looks at a variety of paintings in the Philadelphia Museum of Art.

Read the transcript.

Transcript

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0:00.0

Welcome to five minutes in church history hosted by Dr Stephen Nichols, where we take a little

0:07.8

break from the present to go exploring the past. Travel back in time as we look at the people, events, and even the places that have shaped the story of Christianity.

0:16.0

This is our story, our family history. Let's get started.

0:20.0

Welcome back to another episode of five minutes in church history. This is our third and

0:26.7

final episode talking about the collection and the Philadelphia Museum of Art.

0:32.1

I've entitled this a

0:33.2

miscellaneous as we'll be looking at a variety of paintings. The first

0:36.9

painting we're going to consider is a painting by the Italian painter

0:40.2

Matia Preti. His life spanned the 17th century. He was born in 1613 and died in 1699.

0:48.0

This particular painting by Preti is from 1656. He titled it St St. John the Baptist, rebuking Herod. In this painting he employed many

0:56.6

of the Baroque strategies. It's a large scale. It is a very large impressive painting.

1:01.2

And he also used lighting and shading to tell a story.

1:05.0

In the center of the painting is John the Baptist and his face is very much illuminated

1:11.0

and off to the far corner of the painting sitting on his throne as

1:15.7

Herod a shadow crawls across his face he has his chin resting on his arm and he

1:22.4

looks absolutely bored as if he is about to

1:26.2

yawn. Pretty has him entirely apathetic. Here stands in front of him the Prophet

1:31.7

and John the Baptist's arm is raised and his

1:34.4

bony finger is pointed as he is calling Herod for his sin and Herod is entirely

1:40.9

apathetic to this prophet.

1:43.9

Also in this museum is one of many paintings

1:47.8

that Rembrandt did of the studies of Christ

...

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