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Desert Island Discs

Peter Nichols

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 2 July 2000

⏱️ 35 minutes

🧾️ Download transcript

Summary

Sue Lawley's castaway this week is the playwright Peter Nichols. His award winning work, including Privates on Parade and A Day in The Death of Joe Egg has left audiences in stitches and sometimes in tears. With the recent revival of Passion Play, his darkly comic tale about adultery, Peter Nichols talks to Sue Lawley about his life and writing, and chooses eight records to take to the mythical desert island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Hostias (from Requiem in D Minor) by Wolfgang Amadeus Mozart Book: His diary which he has kept since he was 18 - to relive life since 1945 Luxury: Cyanide tablet (if he can't have a tower and telescope or a full-size snooker table)

Transcript

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0:00.0

Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs Archive for

0:05.6

rights reasons we've had to shorten the music.

0:08.7

The program was originally broadcast in the year 2000 and the presenter was Sue Lolley.

0:31.0

My cast away this week is a playwright. His own experiences have often formed the basis of his work

0:36.6

most notably in a day in the death of Joe Egg, about a couple with a severely handicapped child

0:41.6

and in private somparade, a musical about the entertainment core in Malaya just after World War 2.

0:47.2

These and his other successes, the National Health, Poppy and Passion Play, were all produced in a

0:52.7

glorious 15-year period from the 60s into the early 80s. But their author then fell out of love with

0:58.6

the theatre, tried to write novels, failed and has never enjoyed a return to popularity until now.

1:04.5

Those earlier plays are being revived and the man who wrote them sometimes called awkward or

1:10.4

self-destructive is philosophical. He quotes Raymond Chandler, don't get complicated, you get

1:16.1

complicated, you get sad, you get sad, your luck goes, he is Peter Nichols, you luck went but

1:23.0

has come back again really hasn't it Peter? Yes, largely because of a director which is often the

1:28.0

way with a playwright, you know you're dependent for some extent on people wanting to do your stuff

1:34.4

and this time it was Michael Grandage who decided he'd like to do it when the Don Mar asked him if he

1:41.6

would do a production he said yes I'd like to do Passion Play. It's a kind of fickle business,

1:46.2

it is a fickle business yes and one over which you have very little control. It's quite a range

1:52.1

though your work as I was saying in the introduction there from Joe Egg to private somparade, have you

1:56.8

always written autobiographically is that your main inspiration? Perhaps it's true to say that

2:03.2

most writers write autobiographically but I don't dress it up as much and my brother said to me

2:09.4

I don't mind you writing about the family but couldn't you disguise them a bit more?

2:14.0

That's the problem isn't it they must be aware it must make it a bit uneasy with friends and

...

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