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0:00.0 | You are a human animal. |
0:07.5 | You are a very special breed, |
0:11.5 | for you are the only animal. |
0:15.0 | Who can think, who can reason, who can read. |
0:18.5 | Hello, and welcome to Bookworm. |
0:20.1 | This is Michael Silverblad, and today my guest is Peter Ackroyd. |
0:23.5 | He's the author most recently of a novel, The Trial of Elizabeth Cree, |
0:28.5 | the author as well of several previous novels, English music, First Light, |
0:33.6 | Chatterton, Hawksmore, the Last Testament of Oscar Wilde, the Great Fire of London. |
0:39.2 | He's done magisterial biographies of Dickens and T.S. Eliot as well. |
0:45.8 | I wanted to begin by asking you about the British Museum Reading Room, which seems to provide the locus for much of the evil doing that pervades |
0:57.4 | London in the course of this novel. |
0:59.8 | Can you give me an idea you've placed there, Gissing, Karl Marx, an English musical comedian, |
1:09.7 | others as well. |
1:10.8 | It starts to sound like a train station of the famous. an English musical comedian, others as well. |
1:14.4 | It starts to sound like a train station of the famous. |
1:18.9 | What was its role in the 1880s where the novel was set? |
1:22.7 | Well, George Gissing called it the Valley of the Shadow of Books, |
1:27.3 | which gives you some indication of its reputation of the end of the 19th century. |
1:31.7 | It was, it is and was a vast repository of learning, as you know, |
1:34.5 | in a bibliophile's paradise on some levels at least. |
1:37.5 | It was also a vast furnace of knowledge. |
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