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The Partially Examined Life Philosophy Podcast

PEL Presents: SUBTEXT: Shakespeare's "The Winter's Tale" (Part 5 of 6)

The Partially Examined Life Philosophy Podcast

Mark Linsenmayer

Casey, Paskin, Philosophy, Linsenmayer, Society & Culture, Alwan

4.62.3K Ratings

🗓️ 17 December 2023

⏱️ 378 minutes

🧾️ Download transcript

Summary

Part 5 of Wes & Erin's discussion of Shakespeare’s "The Winter’s Tale."

Thanks to our sponsor for this episode, St. John's College. Learn more about undergraduate--and graduate--Great Books programs at St. John's in Santa Fe, New Mexico and Annapolis, Maryland at sjc.edu/subtext.

Transcript

Click on a timestamp to play from that location

0:00.0

You're listening to an airwave media podcast.

0:03.2

Welcome to Part 5 of our discussion of the winner's tale and parts 5 and 6 we will be discussing

0:20.0

Acts 4 and 5. so we just got done discussing act three and some of the action

0:29.7

with Hermione and Paulina noted that they use language in a different and more persuasive way and talked

0:38.9

a little bit about the concept of evidence and the oracle and all that stuff.

0:43.0

And now we are going to get a very different scene.

0:48.0

I guess at the end, we already moved to the desert.

0:50.0

The end of Act 3, we moved to the desert of Bohemia. But now we're going to fast forward 16 years and

0:57.4

Shakespeare will directly apologize to us for that for just taking a big shortcut there and having well I guess his shortcut is the way

1:08.2

he handles this is to have the personification of time come out and tell us that he's going to be sliding over 16 years.

1:17.5

Time begs forgiveness and essentially says, but think about it, I am so powerful I can overthrow law and custom.

1:26.4

You know, laws change, customs change over time. Time is powerful enough.

1:31.4

In other words, I'm going to apologize for this trick of fast-forwarding, but as the

1:37.5

personification of time, I can do that.

1:40.4

It's a very funny way of excusing himself by personifying time.

1:45.0

If only Shakespeare were a screenwriter, he could just say,

1:48.5

here is a title card that says 16 years later, something like that.

1:52.3

Instead he has to do this whole song and dance.

1:54.9

I guess he could have had someone come out with a card.

1:57.1

Is there a way to do this without that?

2:00.7

How would you clue the audience?

2:02.4

And it would probably emerge on a merge from context?

...

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