meta_pixel
Tapesearch Logo
Log in
The Partially Examined Life Philosophy Podcast

PEL Presents NEM#215: Lynn Drury's New Orleans Emotionality

The Partially Examined Life Philosophy Podcast

Mark Linsenmayer

Casey, Paskin, Philosophy, Linsenmayer, Society & Culture, Alwan

4.62.3K Ratings

🗓️ 4 May 2024

⏱️ 68 minutes

🧾️ Download transcript

Summary

Singer-songwriter Lynn has released 10 albums since 2001. We discuss the title track (and listen at the end to "I Waited Too Long") from High Tide (2024), "11:11" from Rise of the Fall (2017), and "Drugstore" from Crossing Frequencies (2001). Intro: "City Life" from Sugar on the Floor (2011). Hear more at lynndrury.com.

Hear more Nakedly Examined Music. Support us on Patreon.

Transcript

Click on a timestamp to play from that location

0:00.0

I love this. You're listening to Nakedly Music, a podcast about songs and songwriters.

0:10.0

My name is Mark Linson Meyer. My guest for episode 215 is Lynn Drury, a New Orleans singer-songwriter who's released 10 albums since 2001.

0:19.7

We'll discuss the title track to her new album High Tide, then 11-11 from 2017's

0:26.1

Rise of the Fall, and Drugstore from her first album 2001's Crossing

0:30.3

Frequencies will conclude by listening to I waited too long also from that

0:34.8

new album. Right now you're hearing a city life from Sugar on the floor 2011.

0:40.3

Hear more at lindrurycom, that's two ends.

0:43.4

Hear more of this podcast at nakedly examined music.com

0:46.9

or support the effort at patreon.com

0:49.2

slash nakedly examined music.

0:51.0

I will play in a little bit of city life from examined music.

0:56.8

I will play in a little bit of city life from Sugar on the Floor 2011. You were saying that is your most requested, most popular song you close with.

1:00.6

What is your career arc?

1:01.6

Like has it just been steadily going up or was that sort of the peak?

1:05.0

That's a steady, slow, incline. Yes, just a steady, slow. I don't know.

1:11.0

City Life, it's one of those songs that I remember writing and I remember it just sort of being a stream of consciousness and I mean I repeat every single line twice it's just the funniest thing to me but for some reason it was a post-Katrina song. It's so funny because I can't get away without playing it. I have to play it. So it's a lovely song. I think you know it's just

1:35.8

riding my bike and noticing the broken windows and they're shimmering and seeing the

1:41.6

beauty and in destruction I guess. Yes as a I know New

1:45.8

Orleans more than some other places I'm in Madison Wisconsin okay we're mad at

1:50.2

we're local artists we're Madison artists but this is not a particular image that that connotes.

1:54.8

When I lived in Austin, there was this just rampant Texas chauvinism that, you know, unless you're

1:59.4

from Texas, I don't even know if we'll grudgingly let you in the bars but New Orleans I haven't

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Mark Linsenmayer, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Mark Linsenmayer and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.