4.6 • 729 Ratings
🗓️ 8 May 2019
⏱️ 5 minutes
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Today's poem is Paul Quenon's "The Mad Monk's Amibition."
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0:00.0 | Welcome back to The Daily Poem here on the Close Reeds Podcast Network. I'm David Kern. |
0:08.0 | Today's poem is by a man named Paul Quinoon. I believe that's how he pronounced his name. He has been a monk at Gethsemini Abbey for 56 years. |
0:18.0 | He's the author of poetry collections like Afternoons with Emily, The Art of Pawsing, |
0:23.8 | Carved in Stone, Laughter, My Purgatory, Monkswear, and Tears of Paradise. He is also the author of |
0:30.9 | a recent memoir called In Praise of the Useless Life. And then it has a sequel called Amounting to Nothing. It's a poetic sequel, |
0:40.4 | which it follows up on that memoir. It's described as kind of a both practical and metaphysical |
0:45.8 | book, which is, quote, puzzling over the ultimate things of life. And from that collection |
0:51.3 | comes the poem that I'm going to read today. And it is called Mad Monk's |
0:55.5 | Life Ambition. And again, this is from Amounting to Nothing, which came out in 2019. It came |
1:02.7 | out this year, earlier this year, believe in January or February. It goes like this. |
1:08.2 | Sorry, monk that I am, I never amounted to nothing. |
1:12.5 | Did someone lay on a jinx and say, You'll never amount to nothing? |
1:17.0 | How sad, since I took nothing as my monastic goal. |
1:21.8 | I still don't amount to nothing, still think I'm something. |
1:25.0 | I hardly amount to a hill of beans, but this is already too much of something. |
1:29.2 | Whatever might you mount to amount to nothing? Where is that magical mountain where that weird |
1:35.0 | agility to climb a hill of humus, humility so ground that it descends by descending? A humility that |
1:41.1 | does not know it is a virtue. When I find it, if I ever do, comparing something with nothing will cease. |
1:49.3 | Any measure or judgment of my own itself amounts to nothing. |
1:55.5 | I love this poem for the way that it's all twisted up, in the best sort of ways. |
1:59.8 | There's a reversal in almost every |
2:01.4 | couplet. This is a poem that has one, two, three, four, five, six, seven, eight, nine, ten different |
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