Paul Bradley Carr, author of '1414 Degrees' - Journalist, novelist and memoir writer discusses debut novels, leaving things late, and the dark side of Silicon Valley
Writer's Routine
Dan Simpson
4.9 • 599 Ratings
🗓️ 26 January 2022
⏱️ 49 minutes
🧾️ Download transcript
Summary
Paul Bradley Carr has spent his career as a journalist uncovering the dark side of Silicon Valley. He's reported on it for The Guardian, The Daily Telegraph, Private Eye, and many more. He founded NSFWCorp in Las Vegas, and hosted the nightly NSFWLive radio show. Now he's taken that experience to pen his first work of fiction, '1414 Degrees'.
It's not Paul's first published book. He's written memoirs 'The Upgrade', 'Bringing Nothing to the Party', Sober is my New Drunk', and 'We'll Always Have the Flamingo', which document his life travelling around the world, living in hotels and getting sober.
'1414 Degrees' is a murder mystery set in Silicon Valley, with Lou McCarthy investigating someone murdering billionaires.
We talk about why he leaves everything late, how he became a memoirist, what writing columns taught him about telling stories, and how much he knows about where the story is heading.
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Transcript
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| 0:00.0 | Hello, welcome along to a brand new episode of writers' routine. |
| 0:12.4 | This week we're chatting to Paul Bradley Carr. |
| 0:15.4 | Now he spent 20 years covering the dark side of Silicon Valley for The Guardian, Private Eye, TechCrunch, and many more, |
| 0:22.9 | and it's used all of that experience to write his first novel, called 1414 Degrees. |
| 0:29.1 | We talk about why he leaves everything late, also what writing columns has taught him about writing fiction, |
| 0:35.2 | and why sometimes his writing is a bit like a night out in Silicon Valley. |
| 0:40.0 | At which point, the characters go mad and just do whatever they want to do, and I just |
| 0:44.1 | chase them around with my keyboard and hopefully catch some of them, and hopefully some of it makes |
| 0:47.5 | sense. So I'm both a plotter and a panzer. I have to plot, but then it goes completely off the rails. |
| 0:53.6 | But I trust those two processes to get me where I need to be in the end. |
| 0:59.4 | And that was how it always worked as a columnist. |
| 1:00.9 | I was on deadline. |
| 1:01.6 | I had two hours to get something to the Guardian or whoever it was. |
| 1:05.3 | I knew broadly speaking what I wanted to say and where I was going to end up. |
| 1:07.8 | And I just sat down. |
| 1:08.6 | And as I was writing writing all these realizations |
| 1:10.8 | would come or all of these points I wanted to make would come and by the end of it without fail I would |
| 1:15.1 | have my my finished piece and it's been the same with a chapter or a section or whatever with |
| 1:18.9 | the novel. |
| 1:47.3 | Yes. Hello. Welcome along. It's writer's routine. My name's Dan Simpson. This is the show where we take a look, a sneak peek, a mozy around the life of an author inside their working day. Now, this week it's with Paul Bradley Carr, who has been a long supporter of this show, regularly got in touch, frequently tweeted us, he's always been kind, I'm delighted that |
| 1:53.4 | he's finally published a novel. Well, it's far from his first book, really. He's been a memoirist |
| 1:58.8 | for ages. He's written the upgrade, published that. It's all about |
... |
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