4.2 • 5.5K Ratings
🗓️ 11 November 2025
⏱️ 40 minutes
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| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:14.9 | This is The New Yorker Radio Hour. I'm David Remnick. |
| 0:21.3 | Jesus died for somebody's sins, but not mine. |
| 0:29.4 | That line, the opening to Patty Smith's album, Horses, has got to be one of the best |
| 0:34.6 | openers to an album ever. |
| 0:36.7 | Amazing to think that horses, which |
| 0:39.1 | still feels fresh and raw and transgressive, came out almost 50 years ago this week. Horses |
| 0:45.8 | launched Patty Smith to musical and avant-garde stardom almost overnight. |
| 0:58.1 | And yet being a star wasn't Patty Smith's intention at all. |
| 0:59.6 | She was a poet. |
| 1:03.3 | She was publishing poems years before the record came out. |
| 1:05.4 | She'd written a play with Sam Shepard. |
| 1:10.2 | Music was a kind of afterthought, as she tells it, an accompaniment to the words. |
| 1:15.5 | Becoming one of the founding figures of punk was something that happened almost by accident. |
| 1:21.4 | But in recent years, many people have come to know Patty Smith as a writer, as well as a performer. |
| 1:26.5 | Her memoir, Just Kids, about her friendship with the late photographer Robert Mapleshorpe, |
| 1:28.4 | won the National Book Award. |
| 1:32.4 | M. Train reflected on her withdrawal from music as she raised a family, |
| 1:36.2 | and in Bread of Angels, which was just excerpted in The New Yorker, |
| 1:39.3 | Smith writes intimately about her life and music, |
| 1:44.7 | and also her personal life, particularly her marriage to Fred Sonic Smith and his early death. |
| 1:48.5 | At times, she shares deep revelations about her past, |
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