Patricia Routledge
Desert Island Discs
BBC
4.3 • 14.3K Ratings
🗓️ 8 August 1999
⏱️ 39 minutes
🧾️ Download transcript
Summary
Sue Lawley's castaway is the actress Patricia Routledge.
Once voted the nation's favourite actress for her television roles as Hyacinth Bucket and Hetty Wainthrop, she has also been successful in the theatre, in musicals, and of course in Alan Bennett's monologues Talking Heads. In conversation with Sue Lawley, she talks about her life and work and chooses eight records to take to the mythical island.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: String Quintet in C Major - Adagio by Franz Schubert Book: The collected works by John Donne Luxury: Tea service with tea
Transcript
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| 0:00.0 | Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive. |
| 0:05.0 | For rights reasons, we've had to shorten the music. |
| 0:08.0 | The program was originally broadcast in 1999, and the presenter was Sue Lolly. My castaway this week is an actress. Three years ago she was voted the |
| 0:35.4 | nation's favorite actress thanks to her performances as those two redoubtable |
| 0:39.9 | dowages of the BBC's television schedules, Hyacinth Bucket, pronounced bouquet, and Hetti Wainthrop. |
| 0:47.1 | The roles in which she's found such success disguise the depth of her craft at Stratford in Shakespeare at the National Theatre in a |
| 0:54.8 | musical such as Carousel or in sensitive portraits like Alan Bennett's |
| 0:58.8 | talking heads she's displayed her effortless versatility. |
| 1:03.2 | But she knows how much of a disguise it all can be. |
| 1:06.6 | The essential you comes out, she says, |
| 1:09.2 | because you're vulnerable up there, |
| 1:11.2 | whatever big hat you've got on. She is Patricia Routledge. Do you still |
| 1:15.9 | feel vulnerable, Patricia, after all these years of being up there? |
| 1:19.7 | Oh yes, because every time you appear in front of a camera or walk out onto a stage. |
| 1:26.6 | For me it's like the first time, even night after night, when you put your hand on the handle of that door. It's an unknown quantity, however much |
| 1:38.4 | you've rehearsed. |
| 1:39.8 | Because it's always different when you get out there or because it's always the performance and you're always properly nervous. always |
| 1:43.0 | the performance and you're always properly nervous. |
| 1:45.0 | Yes, that's correct. |
| 1:46.0 | And the audience is an unknown quantity |
| 1:49.0 | and you have to share an imaginative experience with the audience and you hope that they're |
| 1:55.2 | going to receive it. |
... |
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