You may find this hard to believe, but 60 saws that explain the 90s.

America's favorite poorly named music podcast is back with 30 more songs than 120 songs total.

I'm your host Rob Harbilla here to bring you more true musical analysis,

poignant nostalgic reveries, crude personal anecdotes, and rad special guests,

all with even less restraint than usual.

Join us once more on 60 saws that explain the 90s every Wednesday on Spotify.

I'm Sean Fennese. I'm Amanda Dobbins. And this is the big picture, a conversation show about a

pretty special movie later in this show. I'll be speaking with Selene Song, the playwright turned

filmmaker behind one of the years most moving films. It's called Past Lives. I hope you will

stick around for my chat with Selene. But first let's talk about Past Lives and romance at the

movies. Now Amanda, this is a film that has been lingering in the culture for the last six

months because it premiered at Sundance. You and I of course did not attend Sundance and so we

did not get a chance to see this movie. We only attended virtually. But it was pretty clear

after a debut that it would be at least one of the most lauded movies of the year. It's been a few

months since you've been hearing about it. And then you heard a little bit about it from me.

I'm going to tell the audience what this movie is about before I do what you think of Past Lives.

Have you seen that? I think it's an America's Got Talent clip, but it's Sophia Vergara

at the judges table and she's giving her verdict and she's like I have to be honest. I didn't like it.

I loved it. And then like it's the buzzer. That's me. I fucking loved it. What a movie.

And I do feel like so much of this writing and maybe even our conversation about the film has

been about, you know, it's like a quiet, a moving, like emotional, astonishing film and and it is

all of those things. But like I left the movie theater just. I was like this is I'm like excited

...