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Friendly Fire

Paisan

Friendly Fire

Uxbridge-Shimoda LLC

Film, Comedy, History, War, Tv & Film, Film Reviews

4.81.5K Ratings

🗓️ 17 August 2018

⏱️ 89 minutes

🧾️ Download transcript

Summary

Paisan: Does this film live and breathe the eccentricities of life during wartime? Or does each vignette simply signal an understanding between Italy and America? On today’s episode Adam, Ben, and John walk into a monastery while reviewing this 1946 drama. Paisan is available on Amazon, YouTube, Google Play, Vudu, and iTunes The next film, Star Wars (1977/97), is available on Amazon, YouTube, Google Play, Vudu, iTunes, and your local library

Transcript

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0:00.0

Musilini started out a socialist, an ardent vociferous socialist.

0:09.1

Like many of his fond Siakla contemporaries, he saw history and politics in Marxist terms as a struggle between

0:15.8

the ownership class and the great majority of working people.

0:19.3

But right around the start of World War I, there was a kind of schism in socialism. Nietzsche was in the air, the idea of

0:25.9

the Uber Mench in market contrast with the idea that only worker solidarity could bring

0:31.0

forth mankind's true promise.

0:33.8

And as the great powers lined up against each other in 1914, it wasn't exactly clear what the

0:38.6

workers of the world were supposed to unite either for or against.

0:43.0

Passivism?

0:44.4

Not monarchism, surely, but not capitalist imperialism either.

0:48.6

egalitarianism and class struggle didn't really

0:51.1

acquit with the hot-blooded feelings of the man on the street anymore.

0:55.0

Suddenly it felt like country came first and countrymen even more.

1:00.0

If Italians were going to war with Austro-Hungary, yes it would be to destroy the Habsburgs,

1:06.4

not for some abstract global workers' paradise, but for Italy.

1:10.8

Mussolini invented fascism, at least in the modern sense entirely on the fly out of shards.

1:17.0

His insight was to upend the dialectic of class struggle

1:21.0

to unite Italians rich and poor in a shared sense of cultural and racial

1:25.8

chauvinism. It was not only workers who could form the revolutionary vanguard but

1:30.4

any patriotic Italian.

1:33.0

Violence and domination were natural human conditions, necessary prophylactics against rot and

1:38.6

decadence, and Mussolini institutionalized them as part of a new social order of conformism, xenophobia,

...

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