Opening Day Fits, A Wild Karen Encounter, & The Rise of “Sugar Granny”
The Rizzuto Show | Daily Comedy Podcast
The Rizzuto Show Comedy Podcast | 105.7 The Point | Hubbard Radio | Gamut Podcast Network
4.9 • 3.2K Ratings
🗓️ 25 March 2026
⏱️ 20 minutes
🧾️ Download transcript
Summary
Opening Day is almost here, and priorities are exactly where they should be — figuring out what Polo is wearing. Because let’s be honest, baseball is important, but the outfits? That’s the real competition.
But before we can even get to that, Rafe takes us on a journey into the wild world of public video shoots — also known as “why studios exist.” What should’ve been a simple setup for a social media shoot quickly turns into a real-life encounter with a St. Charles Karen who clearly woke up and chose confrontation. From questioning filming permissions to worrying about her reflection accidentally ending up in the background, this situation escalates in the most unnecessarily dramatic way possible.
And just when you think it couldn’t get any better (or worse), in walks an unexpected hero: Sugar Granny. Yes, that’s what she calls herself, and yes, she absolutely steals the moment with the kind of energy you didn’t know you needed today. It’s one of those classic Rizz Show moments where reality is somehow funnier than anything we could’ve scripted.
Then it’s time for everyone’s favorite slightly chaotic game — “3 and 5.” And let’s just say the rules are more of a suggestion at this point. Contestants find loopholes, the judges get extremely generous, and somehow people are winning with answers that may or may not technically count. It’s messy, it’s questionable, and it’s exactly why this funny podcast continues to be your go-to for daily entertainment.
From public meltdowns to game show nonsense, this episode is a perfect snapshot of what happens when you mix real life with a microphone and zero expectations of normal behavior.
If you’re here for a funny podcast that delivers unpredictable stories, sarcastic humor, and moments that make you question everything — welcome to The Rizzuto Show.
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Transcript
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| 0:00.0 | Rizzuto Rizuto Good days, I'm Polo Asccio, and you listen the Rizuto show. Feliz Cumpleanios, Comparre Ruiz. I got to call him. Polo. Oh, yeah. I mean, opening days tomorrow. Big day. And, oh, I've got to find out what polo's wearing. Polo usually for opening a day. I mean, he really... It's decked out. Oh, dude, he gets decked out. Mm-hmm. Follow. Oh, send me a picture of your outfits. Follow. Photo. Photo. I, uh, I called Rafe yesterday. I didn't realize you were doing a video shoot yesterday. Yeah. |
| 0:38.5 | He said you were busy dealing with a Karen. |
| 0:42.6 | Yes, I was. I didn't get the full story. |
| 0:46.1 | Yeah, man. I was kind of... |
| 0:49.2 | I did a video shoot, which was great. It was fun. |
| 0:52.1 | And I was kind of running the show and had some actors and directing it a little bit. And I didn't really, I wanted to shoot in a studio. And the client was like, no, I want to shoot it out in the wild at one of our establishments and went into the establishment. And I go, well, the problem with that, man, is the public. You never know who's out in public. |
| 1:11.0 | And I report on these stories all the time, and I don't want to be. |
| 1:14.6 | And, man, it felt like central casting sent me the craziest person they could find. |
| 1:19.7 | Walk in, start just setting up, just basically doing the bare minimum of just like getting the equipment out. |
| 1:29.6 | I'm talking to, I took our guy video, Zane. |
| 1:32.9 | He's helping me. |
| 1:33.7 | We're just talking about setting up the shots. |
| 1:36.0 | I'm like, I think we shoot over here in this corner. |
| 1:37.9 | He's getting out the mics to mic me and my friend Michael up, who was also on the shoot. |
| 1:42.4 | And this lady, and zero to 10, by the way, St. Charles. |
| 1:49.0 | And you get out St. Charles, you get out in the county. |
| 1:51.4 | People get wacky, dude. |
| 1:52.7 | And it's like, I'm setting up stuff and she goes, she starts waving her hand |
| 1:58.0 | aggressively at me. |
| 1:58.8 | She's like, excuse me, excuse me! |
| 2:02.7 | And I'm like, yeah, what's up? Can up can i help you and she goes are you filming in here and i go uh yeah we're gonna film here in a little bit |
| 2:09.0 | in about an hour or so and she goes hmm well did you get permission from everyone in here to for them |
... |
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