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Books and Authors

Open Book: Hector Abad, Horror fiction

Books and Authors

BBC

Society & Culture, Books

4.2824 Ratings

🗓️ 14 October 2018

⏱️ 28 minutes

🧾️ Download transcript

Summary

Colombian novelist Hector Abad joins Mariella Frostrup to discuss ideas of inheritance and escape in his new family saga The Farm. And Laura Purcell reflects on what soaring horror fiction sales can tell us about contemporary anxieties.

Transcript

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0:00.0

You're about to listen to a BBC podcast, but this is about something else you might enjoy.

0:05.4

My name's Katie Lecky and I'm an assistant commissioner for on demand music on BBC Sounds.

0:10.8

The BBC has an incredible musical heritage and culture and as a music lover, I love being part of that.

0:17.5

With music on sounds, we offer collections and mixes for everything, from workouts to

0:22.4

helping you nod off, boogie in your kitchen, or even just a moment of calm. And they're all

0:28.1

put together by people who know their stuff. So if you want some expertly curated music in your

0:34.2

life, check out BBC Sounds. This is the BBC.

0:40.3

Hello, today a forensic examination of the horror fiction boom, and all the fun of the

0:46.9

book fair from Frankfurt. But first, one of Colombia's most revered writers, Hector Abad,

0:53.0

with his latest novel The Farm, described on its

0:55.9

own jacket as an update of Marquez's hundred years of solitude. It's a family saga, looking

1:02.3

back over the generations who colonised the once inhospitable wilderness of marsh and mountain

1:08.1

near the now infamous city of Medellin.

1:11.5

The story kicks off with the death of the Ankhel matriarch,

1:14.8

and in alternating chapters we hear from her children,

1:18.0

Antonio, Pilar and Eva,

1:20.3

about their differing relationships with the eponymous homestead

1:23.8

they call La Occulta, or the Hideaway.

1:30.0

All three have their own opinions on what should now happen to the farm. Despite making a life in New York, San Antonio is drawn back there

1:36.7

by the family's enduring connection to the land. I feel that I am part of this land.

1:49.0

This old farm of ancestors I knew and I didn't know. I am the only one in the family who can reside a litany of their names

1:55.0

because I am the only one interested in the most eaten books,

...

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