3.6 • 1.5K Ratings
🗓️ 24 May 2023
⏱️ 37 minutes
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0:00.0 | Welcome to the New York Times Popgast, your extended boiler house remix of music, news, |
0:10.8 | and criticism. |
0:12.0 | Can I kick it? |
0:13.0 | Yes, you can. |
0:14.0 | I'm your host, John Caramagico. |
0:25.6 | You're talking this week about fast music. |
0:29.2 | If you were listening to what we were just playing, and you were like, damn, that sounds |
0:33.0 | quick. |
0:34.7 | That was the Arizona Tears plug and B remix of Watch This by Lil Luzzy Furt, which was |
0:40.1 | a kind of a blippy billboard hit a couple months ago. |
0:44.9 | And I think that was one of the moments where I think that's been happening a lot on TikTok |
0:50.7 | cracked through to a broader awareness, which is songs are not songs anymore. |
0:57.4 | Songs are entry points, songs are tools, songs are raw material that can be manipulated. |
1:06.7 | And I think what we have seen in recent weeks and months is that sometimes the manipulation |
1:12.8 | is more popular than the song itself. |
1:15.6 | So this Uzi song, which was not a song, became something of a viral hit and became billboard |
1:22.9 | successful, not in its original form. |
1:26.6 | That is a reflection of a lot of things that have been happening with the music industry |
1:31.2 | lately. |
1:32.6 | And Universal Warner music, et cetera, have now been doubling down and saying, Hey, you crazy |
1:39.0 | kids on TikTok, you want fast music, we will give you fast music. |
1:42.3 | And it been putting up their own playlists, if I'm not mistaken, not marked as label |
... |
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