4.6 • 601 Ratings
🗓️ 17 March 2020
⏱️ 53 minutes
🧾️ Download transcript
This week has been dominated by the spread of coronavirus. The situation is changing so fast that we decided to publish a couple of days early. In the first half of this episode, Gris and Lilah discuss how coronavirus is already changing daily life — and how it might impact culture in the longer term. Will we lose our fear of missing out? What will the 'experience economy' look like? And can the thrill of a live performance be replicated online? The second half of the episode is an escape from all that: Gris meets the Irish novelist Eimear McBride, who wrote the literary sensation A Girl Is a Half-Formed Thing. They discuss one-night stands, middle-aged women in literature, and her new novel Strange Hotel.
We’d love to hear how you’re doing in these strange and scary times, and in particular which TV shows, films and books are bringing you comfort. We’ll put a selection of your recommendations in our next episode. You can tweet us at @FTculturecall or email us at [email protected]. Stay safe, and stay in touch.
Links from the episode:
Let us know what you think of Culture Call (and win a pair of headphones): ft.com/culturecallsurvey
Henry Mance’s FT piece ‘Will coronavirus change how we live?’ (paywall) https://www.ft.com/content/8044788c-5e05-11ea-b0ab-339c2307bcd4
Trend forecaster Emily Segal discusses the experience economy on Culture Call: https://www.ft.com/content/d5f298c8-ca35-43bd-af3c-fdc5c4c7edf7
The New Yorker on the Netflix show Love is Blind: https://www.newyorker.com/culture/cultural-comment/how-love-is-blind-transcends-the-norms-of-reality-television
FT review of Jenny Offill’s novel Weather: https://www.ft.com/content/5050a052-4766-11ea-aee2-9ddbdc86190d
FT review of Eimear McBride’s novel Strange Hotel: https://www.ft.com/content/5fd7880a-3ddf-11ea-b84f-a62c46f39bc2
‘Today I Learned That Not Everyone Has An Internal Monologue And It Has Ruined My Day’:
New York Times interview with Jeremy O Harris, our next podcast guest: https://www.nytimes.com/2018/11/28/theater/jeremy-o-harris-slave-play.html
Episode in which Lilah recommends Jeremy O Harris’s Slave Play: https://www.ft.com/content/c71cfeee-1ca8-4b07-be68-a05500c6067
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0:00.0 | Just a note at the top, we recorded this about a week ago, and it being a fast-moving situation |
0:04.9 | means that already some of what we said is probably a little out of date. For example, |
0:10.1 | I'm now recording this pickup from under a blanket in my storage closet. And the markets are |
0:15.0 | struggling to say the least. We hope that this episode will be an opportunity to reflect on |
0:19.6 | the cultural effects of coronavirus |
0:21.6 | and take your mind off of it a little bit completely. |
0:27.6 | Hello, you're listening to Culture Call, a transatlantic conversation from the Financial Times. |
0:36.6 | I'm Giseldda Murray Brown in London. |
0:39.3 | And I'm Lila Raptopoulos in New York. |
0:42.1 | Coming up on today's episode. |
0:45.4 | A lot of writing about women having casual sex is kind of associated with self-hatred and disgust. |
0:51.5 | And I wanted to think about it in a different way that actually |
0:55.2 | there are lots of middle-aged women who go to hotels who have sex with men who don't hate |
1:00.1 | themselves as a result of it. |
1:06.9 | Today, things are a bit different. I am in my living room at home with our podcast producer, Lena, |
1:13.6 | and we have created for ourselves a fortress of pillows and duvets in order to try and make a makeshift studio here |
1:21.5 | because the FT's actual audio studio is closed as a coronavirus precaution. |
1:27.2 | I'm like laughing over here, even though it's not funny, but it all feels so absurd and kind |
1:31.9 | of spooky. I am in the New York newsroom, in our audio studio. There is almost nobody here |
1:38.0 | but me. Our office is also closing soon as a coronavirus precaution. And yeah, it's feeling a little apocalyptic around here. |
1:47.3 | We're going to be discussing exactly this today, how coronavirus is already affecting life and culture, |
1:53.2 | and also kind of thinking about what its longer term impacts might be. |
... |
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