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The Business

NYT producers examine rise and fall of Hollywood P.I. Anthony Pellicano in new doc

The Business

KCRW

Tv & Film

4.6676 Ratings

🗓️ 17 March 2023

⏱️ 29 minutes

🧾️ Download transcript

Summary

New York Times Presents’ reporters and producers Rachel Abrams and Liz Day discuss “Sin Eater: The Crimes of Anthony Pellicano” two-part documentary on FX and Hulu. They explain the infamous Hollywood private investigator’s rise and fall, his 15-year sentence for illegal wiretapping and other crimes, campaigns of intimidation, and how almost all of his powerful clients walked away unscathed.

Transcript

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0:00.0

From KCRW, I'm Kim Masters, and this is The Business.

0:05.4

Sin Eater, the crimes of Anthony Pelicano, examines the rise and fall of the infamous private investigator.

0:11.8

Pelicano went to prison for more than 15 years for wiretapping and other crimes,

0:16.7

but almost all of his powerful clients walked away unscathed.

0:20.7

Our audience is going to have to listen to some of these recordings with people like Chris Rock or Marty Singer,

0:25.8

whoever, and come to their own conclusions based on what he himself is saying about whether they think people

0:31.1

should have been held more responsible than they ultimately were.

0:34.2

In their documentary, filmmakers and New York Times journalists, Rachel Abrams and Liz

0:38.7

Day include Pelicano's description of his misdeeds alongside victim's accounts of the devastating

0:45.1

impact of his campaigns of intimidation. And I throw in some memories of my own interactions

0:50.7

with Pelicano and his clients over the years. But first, we banter. Stick

0:55.2

around. It's the business from KCRW. I am joined by my partner in banter. Matt Bellany. Hello, Matt.

1:03.4

Hi there. So starting on Monday, the Writers Guild will be negotiating with the studios. There has been a

1:10.7

long drumbeat leading up to this,

1:13.2

because most people, I think, in the town believe that there will be a strike. We had one in

1:18.5

2008. It was long and created a lot of ill feeling, and of course people suffer. But it feels

1:27.1

like there just is a moment where certainly the Writers Guild,

1:30.6

and very possibly some of the other guilds, are feeling that they are up against the wall

1:35.2

and they need to protect themselves and get guarantees about compensation above all.

1:40.6

And at the same time, the studios are belt tightening, and there are those who feel that the studios, some of them at least, would welcome a writer's strike as a chance to do the kind of house cleaning and getting rid of expensive deals and, you know, making things cheaper for a while, that they might be willing to have a strike and not necessarily rush to end it.

1:59.8

That's going to be a very fraught situation for

2:01.8

Hollywood for the unforeseeable future. Yeah, it's definitely pins and needles time. And there is such a

...

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