4.4 • 1.5K Ratings
🗓️ 6 February 2024
⏱️ 62 minutes
🧾️ Download transcript
In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind England’s Angry Young Men.
Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare Bucknell wrote The Treasuries Laura Bradley writes on Brecht.
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0:00.0 | You are listening to Benjamin Walker's Theory of Everything. |
0:05.0 | At Radiotopia, we now have a select group of amazing supporters that help us make all our shows possible. If you would like to have your company or |
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0:21.4 | fm thanks |
0:24.0 | William beres is in big trouble this is police he is accused of running a pan-European |
0:29.9 | art smuggling ring with ties to the Sicilian mafia and if convicted he faces up to 20 years |
0:35.7 | in prison. |
0:36.7 | He's called the professor by dealers and traffickers. |
0:40.1 | To stay out of jail, William Verres plans to find a hundred million dollar painting, Caravaggio's |
0:45.0 | nativity. |
0:46.0 | I once asked how many mobsters do you know in Sicily. |
0:49.0 | He said, well, officially none. |
0:53.1 | From brazen and PRX, listen to the professor wherever you get your podcasts. |
0:57.7 | Out now. |
0:58.7 | Previously on, not all propaganda is art. |
1:05.0 | A young Englishman who, if not angry, is at least opinionated. |
1:09.0 | Kenneth Tyman. |
1:10.0 | In the the English applied this country absolutely into a cultural what I could call a cultural dust bowl. |
1:30.0 | Kenneth Tainen wanted a theater that was engaged with the political, social, and sexual issues of the day. |
1:38.0 | And in 1956, he was ready to put his thumb on the scale and his shoulder to the wheel. I want to return to where we began last episode. The CIA's encounter magazine |
2:06.3 | May 1956 investigation into the younger generation. |
2:10.3 | Many a novel or play has been written on these hallowed tables. To go with Martha Gellhorn's report on London's coffee scene |
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