4.8 • 2.1K Ratings
🗓️ 31 March 2022
⏱️ 31 minutes
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0:00.0 | This episode is brought to you by Slack. With Slack, you can bring all your people and |
0:05.9 | tools together in one place. It's your digital HQ where you can increase productivity, |
0:11.1 | enable flexibility and automate workflows. Plus, Slack is full of game-changing features, |
0:16.9 | like huddles for quick check-ins, or Slack Connect, which helps you connect with partners |
0:20.9 | inside and outside of your company. Slack, where the future works. Get started at |
0:26.9 | Slack.com slash DHQ. |
0:29.8 | You're listening to Imaginary Worlds, a show about how we create them and why we suspend |
0:35.4 | our disbelief. I'm Eric Melinsky. |
0:39.9 | When I was studying film in college, I watched my first silent movies, and I was amazed |
0:44.7 | that these films were so adventurous. The cinematography was so fluid. Because one |
0:50.2 | sound came about, movies had to be made in these hermetically sealed studios with cumbersome |
0:55.2 | sound recording equipment. But in the 1920s, cameras were really lightweight. You could |
1:00.9 | bring them anywhere. And I don't think filmmaking became that agile again until the 1960s or |
1:06.9 | 70s. |
1:07.9 | In one of the greatest films from the silent era, was released 100 years ago this month, |
1:14.6 | Nosferatu, the classic German vampire tale. |
1:19.2 | And the amazing thing about Nosferatu is that the movie almost disappeared completely. There |
1:24.5 | was a campaign to destroy it. And the story of how it survived is inspiring to me, because |
1:30.2 | it's about the love of cinema, and people using modern instruments, and I mean musical |
1:35.7 | instruments, to infuse new blood into an old vampire tale. |
1:42.7 | But before we hear about that, let's look at the movie itself. |
1:47.4 | Stephen Brockman is a professor at Carnegie Mellon who teaches German language and culture. |
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