4.6 • 1.9K Ratings
🗓️ 25 April 2024
⏱️ 37 minutes
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This episode features an essay from Jill Lepore’s ‘The Deadline.’
Why are there so many stories about the end of the world these days? Jill’s essay “No, We Cannot,” elaborates a political theory of dystopian fiction. And then, after the essay, Jill and Ben talk about the use and misuse of the genre.
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0:00.0 | Pushkin. |
0:05.0 | If you feel like five out of six new books. |
0:10.0 | If you feel like five out of six new books, movies, and TV shows are about how the world is ending, |
0:17.5 | or they take place in a future where the world has just ended, |
0:20.5 | then this essay is for you. |
0:23.5 | It's about the history of dystopian fiction. |
0:26.3 | And Jill Lepore spins an argument about the relationship between real world political utopianism, |
0:31.6 | disaffection, and are fictional |
0:33.3 | dystopias. |
0:34.8 | So this piece was me trying to understand like, you know, |
0:40.5 | hunger games, squid games as a moment as a response to the realization that |
0:47.0 | my God you know the internet didn't actually fix anything and neither did Obama. |
0:54.0 | Here's the essay, No, we cannot. |
0:56.0 | Stick around after for a conversation with Jill about writing and reading |
1:00.0 | dystopias. No, we cannot. Here are the plots of some dystopian novels set in the near future. |
1:18.0 | The world got too hot, so a wealthy celebrity persuaded a small number of very rich people to move to a makeshift satire. A leaving everyone else to starve. The people on the satellite have lost their genitals |
1:34.5 | through some kind of instant mutation or super quick evolution, |
1:38.3 | but there is a lot of sex anyway. |
1:40.5 | Since it's become fashionable to have surgical procedures to give yourself a variety of appendages and openings, along with decorative skin grafts and tattoos, there being so little else to do. |
1:51.0 | There are no children, but the celebrity who rules the |
1:54.2 | satellite has been trying to create them by torturing women from the Earth's |
1:58.0 | surface. We are what happens when the seemingly unthinkable celebrity rises to power, the novel's narrator says. |
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