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NBC Nightly News with Tom Llamas

Nightly News Films: Andrew Lloyd Webber one-on-one

NBC Nightly News with Tom Llamas

NBC News

Information, President, World, Government, Policy, Congress, News, Politics, Campaign, War, Political

3.92.1K Ratings

🗓️ 14 April 2023

⏱️ 18 minutes

🧾️ Download transcript

Summary

With Phantom of the Opera about to close on Broadway after a historic 35-year run, Lester Holt chats with legendary composer Andrew Lloyd Webber about the musical and his iconic career.

Transcript

Click on a timestamp to play from that location

0:00.0

One of the hottest tickets on Broadway happens to be the longest running show on Broadway.

0:05.4

That's because after 35 years, time has run out to say goodbye to the phantom of the opera,

0:11.6

leaving mixed emotions for the man who composed it.

0:14.4

I sat down with Andrew Lloyd Webber to talk about phantoms farewell to Broadway and more.

0:19.9

We're here to talk about the closing, but let me go back to 1988, the opening night on

0:26.0

Broadway.

0:27.0

What do you remember?

0:28.0

Well, I remember it was a very, very special night because there was a huge anticipation

0:35.9

of it coming to New York and I was married to Sarah Brightman, who was playing Christine.

0:42.8

And of course, I was quite nervous for her to put it mildly.

0:48.5

So it was a sort of double, double nervous, if you know what I mean.

0:52.7

One obviously, an excitement about it opening on Broadway, but very much hoping that it

0:57.9

all worked for her.

0:59.8

And it's very special, actually, that she's back in New York, you know, for the final show.

1:05.3

Were you able to recognise at the time what a hit phantom would become?

1:10.6

I don't think when it opened in London that I knew it was going to be what it became.

1:18.7

In fact, how could one?

1:21.8

But by the time it came here, it had become such a phenomenon back in London and so many

1:30.6

people from America have come over specifically to see it, that I had a suspicion that it

1:36.5

would have to go horribly wrong here for it not to work.

1:40.9

But nobody, I mean, when you sit down to write a musical, you don't say I'm going to try

1:46.9

and write a massive blockbuster, what you do is you write what you want to write.

...

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