4.6 • 908 Ratings
🗓️ 15 November 2023
⏱️ 83 minutes
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0:00.0 | Tetragrammaton |
0:02.0 | Tetracketam. |
0:03.0 | I think the red hand files began after my son died in a response essentially to the amount of |
0:31.4 | questions, no, not questions, amount of letters that came into me, not just in sympathy or |
0:37.4 | commiseration, but how people had gone through |
0:40.3 | the same things. This happened to me. I know what you're going through because this happened |
0:45.2 | to me. And it was a huge amount of letters and that they just kept on coming. And I think |
0:51.6 | I just wanted to be able to talk to those people. I found it gratifying for myself. |
0:57.1 | I found it a way of moving forward, a way of working out how to articulate things that were going on. |
1:06.4 | And it just sort of grew out of that. I mean, first of all, the red hand files, it was like an |
1:11.4 | ask me anything type of thing. And most of the questions that came my way were initially, |
1:18.7 | who's your favorite artists, what are your inspirations, all that kind of thing, you know, |
1:24.0 | music-related questions. But I just sort of gently expanded the range of what I was prepared to talk about, |
1:31.3 | and people responded by asking questions or writing in letters that sat outside what I do musically. |
1:38.3 | Until now, it's a massive thing. |
1:41.3 | Do you feel like in the wake of the tragedy that the strangers who reached out had a more |
1:48.3 | profound effect than the friends who reached out? |
1:52.4 | I have to say in these sorts of situations, you remember who reaches out and who doesn't |
2:00.7 | reach out. Now it's very who doesn't reach out. |
2:01.6 | Now it's very difficult actually to reach out to people with this sort of tragedy. |
2:05.6 | It's not, not everyone can do it. |
2:08.6 | And I understand that, but you do sort of, you remember acutely the small gestures from people. |
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