4.6 • 639 Ratings
🗓️ 2 May 2012
⏱️ 28 minutes
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Elvis Mithcell talks with Nicholas Stoller about his new film as director and co-writer, "The Five-Year Engagement."
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0:00.0 | From KCRW Santa Monica and KCRW.com, this is The Treatment. |
0:15.1 | Welcome to the treatment, which you can also hear at KCRW.com. |
0:19.2 | My guest, right-air director, Nicholas Stuller, has a way of making romance the center of everything he's done, an ideal romance. |
0:26.3 | I think, for me, goes back to his work on Undeclare, where I'm guessing he first met Jason Siegel. |
0:32.1 | His newest film as writer-director, I guess co-writer is five-year engagement. |
0:36.8 | Before that, we know him from |
0:38.4 | get him to the Greek and his first collaboration with Jason Siegel, which was, of course, |
0:42.7 | forgetting Sarah Marshall. Nick, first of all, thanks a much for being here. Thank you so much for |
0:45.9 | having me. And talk about that, about how much romance means to you. I mean, because you've done |
0:49.9 | these things really about people pursuing an ideal of romance. Well, the romantic comedy genre is my favorite genre. |
0:56.5 | It's, to me, the most satisfying movie-going experience I have, personally, as well, you know, seeing a great romantic comedy. |
1:03.1 | What is it about romantic comedy that really plays so well for you? |
1:05.7 | Well, great romantic comedy makes you laugh really hard, and you see yourself in the characters, |
1:10.1 | and then there's just the Shakespearean wish fulfillment at the end of seeing a couple that you're rooting for to get together. |
1:17.2 | It just makes me feel good when I see a great romantic comedy in a way that, to me, at least, no other genre really hits. |
1:24.2 | Because for me, what you do is this is this kind of intersection of screwball comedy |
1:28.5 | where people sort of get themselves in trouble by trying to explain themselves. And also this |
1:34.3 | thing of sort of like 70s, the great 70s movies, which feel like they're anecdotal, but really |
1:40.6 | lead us to a point. Was that a fair assessment to me? Yes, thank you. I'm very, |
1:44.3 | I'm very honored that you see them that way. But yeah, I think for me, the characters get |
1:49.7 | themselves in enough trouble. A lot of romantic comedies that aren't firing on all cylinders, |
1:54.1 | I think, rely on miscommunication as a plot device. Like, the girl sees the guy like hugging |
... |
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