meta_pixel
Tapesearch Logo
Log in
Twenty Thousand Hertz

Muzak: How background music took over the world

Twenty Thousand Hertz

Dallas Taylor

Music, Design, Arts, Music Commentary

4.84.1K Ratings

🗓️ 5 February 2018

⏱️ 16 minutes

🧾️ Download transcript

Summary

“Elevator music” was once the sound of restaurants, offices, and elevators in mid-20th century America. But ironically these bland, string-driven instrumental tracks are never heard in elevators anymore. In this episode, we speak with Joseph Lanza, the author of “Elevator Music,” and Julian Treasure, chairman of The Sound Agency, about the sound of Muzak -- the company that changed the way we think public spaces should sound.   20K is hosted by Dallas Taylor and made out of the studios of Defacto Sound.  Follow Dallas on Instagram, TikTok and LinkedIn. Watch our video shorts on YouTube, and join the discussion on Reddit and Facebook. Consider supporting the show at donate.20k.org  Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/muzak Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

You're listening to 20,000 Hertz.

0:05.0

The stories behind the world's most recognizable and interesting sounds.

0:10.0

I'm Dallas Taylor.

0:16.0

What came to be called elevator music is almost never heard in elevators today.

0:21.6

So, how did it earn the name elevator music?

0:24.6

This is the story of Musak, a company that changed the way public spaces sound. I like the term elevator music.

0:43.8

I don't think there's anything inherently pejorative about it because it's music

0:47.3

that's supposed to elevate people's moods.

0:50.5

That's Joseph Lanza.

0:51.8

He's the author of the book Elevator Music. His book explores the history of the Musak Company and the genre of music it promoted called Easy Listening. You're hearing one of those tracks right now. It's from one of their stimulus progression albums, but I'm getting ahead of myself. Back to Joseph.

1:08.4

It was a musical currency that started in the 40s, but it went on and through the 50s,

1:13.6

and then when music changed a bit when you had more electric guitars and drums, the easy listening adapted to it as well.

1:20.6

One of the most iconic tracks is the theme from a summer place.

1:24.6

The music was written by Max Steiner, and the most famous recording of it was from Percy Faith.

1:28.3

It's exactly what you probably think of when you think of music.

1:32.3

Usually it was strings, a lot of strings that were supplying the top melody, the vocal melody.

1:40.3

I don't think many people really disliked it as much as people might want to believe today.

1:45.1

It was just very sweet, pretty music and you'd often hear it in actual pop songs.

1:50.3

But this sweet pretty music actually has a grim origin.

1:57.2

The Musak Company got its start on the battlefield.

2:04.6

Major The Musak Company got its start on the battlefield. Major General George Squire served as the U.S. Army's chief signal officer during World War I.

2:09.6

That wartime work later on led him to develop a way to transmit music across electrical wires.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Dallas Taylor, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Dallas Taylor and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.