4.9 • 1.5K Ratings
🗓️ 8 August 2023
⏱️ 21 minutes
🧾️ Download transcript
In today’s episode, I’m covering the conventions of the morality genre using the movie A Man Called Otto as an example. Here’s a preview of what’s included:
[05:09] The protagonist starts the story at their worst (with a "wrong" moral compass)
[06:40] The antagonist pressures the protagonist to face their bad behavior/wrongdoing
[07:54] The protagonist is haunted by their past mistakes or selfish behavior
[09:09] A character who represents the consequences of the protagonist’s wrongdoing
[10:20] At least one mentor figure who helps the protagonist see right from wrong
[11:13] External conflict that pits the protagonist's goals against the needs of others
[12:53] A foil character who positively or negatively demonstrates different behavior
[14:24] The protagonist gets help from unexpected sources
[15:23] The setting must offer the protagonist opportunities to be selfish or altruistic
[16:49] The end of the story is often bittersweet
[18:04] Final thoughts and episode recap.
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0:41.2 | be anything but the point of it is that it highlights the need for change in the protagonist. |
0:46.0 | So it puts pressure on the protagonist until they either change or cling even harder to their |
0:51.5 | immoral or selfish behavior. Welcome to the fiction writing made easy podcast. My name is |
0:57.7 | savannahillbow and I'm here to help you write a story that works. I want to prove to you that |
1:02.4 | writing a novel doesn't have to be overwhelming. So each week I'll bring you a brand new episode |
1:07.3 | with simple, actionable, and step-by-step strategies that you can implement in your writing right |
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1:16.7 | craft, this podcast is for you. So pick up a pen and let's get started. In today's episode, |
1:23.2 | we're going to talk through the conventions of the morality genre. If you're writing a story with |
1:27.8 | an internal morality art, then you'll want to make sure you nail these conventions in your novel. |
1:32.8 | So we're going to talk through the conventions and then I'm going to show you how they show up in |
1:36.4 | the movie a man called auto. And if you're wondering why I'm using a movie and not a book as an |
1:41.4 | example, the simple answer is that movies just require less of a time investment than books and I'm |
... |
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