4.9 • 848 Ratings
🗓️ 12 July 2025
⏱️ 41 minutes
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Google Veo leads the generative video market with superior 4K photorealism and integrated audio, an advantage derived from its YouTube training data. OpenAI Sora is the top tool for narrative storytelling, while Kuaishou Kling excels at animating static images with realistic, high-speed motion.
The market leader due to superior visual quality, physics simulation, 4K resolution, and integrated audio generation, which removes post-production steps. It accurately interprets cinematic prompts ("timelapse," "aerial shots"). Its primary advantage is its integration with Google products, using YouTube's vast video library for rapid model improvement. The professional focus is clear with its filmmaking tool, "Flow."
User Profile | Primary Goal | Recommendation | Justification |
---|---|---|---|
The Indie Filmmaker | Pre-visualization, short films. | OpenAI Sora (Primary), Google Veo (Secondary) | Sora's storyboard feature is best for narrative construction. Veo is best for high-quality final shots. |
The VFX Artist | Creating animated elements for live-action. | Stable Diffusion (AnimateDiff/ComfyUI) | Offers the layer-based control and pipeline integration needed for professional VFX. |
The Creative Agency | Rapid prototyping, social content. | Runway (Primary Suite), Google Veo (For Hero Shots) | Runway's editing/variation tools are built for agency speed. Veo provides the highest quality for the main asset. |
The AI Artist / Animator | Art-directed animated pieces. | Midjourney + Kling | Pairs the best image generator with a top-tier motion engine for maximum aesthetic control. |
The Corporate Trainer | Training and personalized marketing videos. | HeyGen / Synthesia | Specialized tools for avatar-based video production at scale (voice cloning, translation). |
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0:00.0 | Welcome back to Machine Learning Applied. |
0:03.0 | This is part two on the Multimedia Generative AI miniseries, and this one is on videos. |
0:10.0 | V-O-3, SORA, Runway, Kling, Mid-Journey, Stable Diffusion. |
0:16.0 | And I'll talk some about workflows here in terms of video to video workflows but I will discuss the |
0:22.5 | workflows for the whole shebang the end-to-end multimedia project in the next |
0:28.6 | episode like long-form video movies and short-form video advertisements in that |
0:34.1 | episode I'll also talk about audio generation with Udio, Suno, and 11 labs, as well as prompt engineering, both for images and videos. |
0:42.9 | So this episode is specifically about video generation. |
0:47.9 | Like I mentioned in the last episode, if you want a quick way to start experimenting with images or videos, go to my blog, look for the prompt generator post, and you can type in sloppy prompts and have them enhanced for the tool you're using like V-O-3 or Kling. |
1:02.9 | Because prompt engineering is really important. |
1:05.8 | So before I get to recording the episode, if you want to start experimenting, you will want to have some good prompts to run through these tools. Now, AI videos. I know you've all seen those V-O-3 videos in the wild. |
1:18.9 | Bigfoot vlogs, glass-cutting ASMR. They are absolutely stunning. We are here. This is no longer the |
1:27.0 | future. It is the present. I've shown my friends |
1:29.7 | and family V-O-3 videos and they have a hard time distinguishing between real and fake at this point. |
1:36.1 | I think people who've seen enough AI videos knows the tells. There's a certain tinny sound in V-O-3 |
1:42.8 | speech. And they tend to often look surprised or bug-eyed, and then they often laugh at the end of the |
1:49.1 | clip. |
1:49.7 | And of course, there's the eight-second limit. |
1:52.0 | So anytime you see something stitched with eight seconds to get... |
1:54.5 | But all that aside, like, things are really good. |
1:57.9 | This is no longer an experimental domain. |
2:00.8 | This is now a business usable set of tools |
... |
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