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🗓️ 16 June 2023
⏱️ 10 minutes
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0:00.0 | You're listening to the witness history podcast from the BBC World Service with me, Reena |
0:09.6 | Stanton Sharma. |
0:13.2 | We're heading to New York in 1979 from one of the most influential museums in the world, |
0:19.3 | the Museum of Modern Art, brought photographs from an African-American woman for the first |
0:24.9 | time. |
0:25.9 | They wanted to purchase two, she told me a price, it's like maybe three hundred, something |
0:32.9 | like that. |
0:33.9 | I said, no, that doesn't even pay for my supplies, this is the Museum of Modern Art. |
0:38.7 | And she says, are you kidding me? |
0:40.5 | People try to give us artwork and we don't accept them. |
0:43.9 | That's the photographer Ming Smith, a fierce negotiator who drove a hard bargain. |
0:49.5 | Despite this, she would see her work displayed in the prestigious MOMA, the Museum of Modern |
0:55.9 | Art. She's famous for capturing her subjects with slow shutter speeds, giving a sense of |
1:00.7 | movement, she plays with light, and often uses oil paints to lay a colour onto her black |
1:06.7 | and white photos. |
1:12.2 | She was working as a model in New York City and taking photos on the side. |
1:17.4 | It was here that she took a powerful image of fellow model and singer Grace Jones in |
1:22.6 | 1978, after meeting her at an audition. |
1:27.3 | Grace was always Grace Jones, she was always bigger than life. |
1:31.6 | People loved her, I remember with our conversation, she was leaving in a week to go to Paris to |
1:37.8 | see if she could make it over there with her singing, she became successful, and then |
1:42.9 | she came back and she called me and told me, I'm doing studio 54, bring your camera. |
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