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Bishop Barron’s Sunday Sermons - Catholic Preaching and Homilies

Mary, David, and the Theo-Drama

Bishop Barron’s Sunday Sermons - Catholic Preaching and Homilies

Bishop Robert Barron

Spirituality, Christianity, Religion & Spirituality:christianity, Religion & Spirituality

4.84.6K Ratings

🗓️ 20 December 2015

⏱️ 14 minutes

🧾️ Download transcript

Summary

In today's readings we see the Theo-drama, the great story being told by God, confronting the ego-drama, which is the self-centered play we attempt to write, produce, direct, and star in ourselves. What makes life thrilling is to discover our role in the Theo-drama. This is precisely what has happened to Mary. She found her role—indeed a climactic role—in the Theo-drama, just as King David had several centuries before.

Transcript

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0:00.0

Friends, welcome to Word on Fire, Catholic Ministries. Word on Fire is an apostolate dedicated

0:07.6

to the mission of evangelization, using media both old and new to share the faith on every

0:13.4

continent and to facilitate and encounter with Christ and His Church. The efforts of

0:18.5

Word on Fire engage the culture and bring the transformative power of God's Word where

0:24.0

it is most needed. Today we invite you to join Bishop Robert Baron as he preaches

0:29.8

the gospel and shares the warmth and light of Christ with each of us.

0:34.4

Peace be with you. Friends, I've always been fascinated by Mary's haste in the story

0:42.1

of the visitation. So we have this for our gospel today for the fourth Sunday of Advent.

0:48.9

We hear that upon taking in the message of Gabriel concerning her own pregnancy and

0:53.4

at her cousin, Mary, I'm quoting now, proceeded in haste into the hill country of Judah to

1:02.4

see Elizabeth. Why did she go with such speed and purpose? I'll tell you why. Because she

1:13.2

had found her mission. She had found her role in the Theodrama. Today were dominated

1:25.3

in the Western culture, but what I've called the ego drama and all of its ramifications

1:31.7

and implications. The ego drama is the play that I'm writing, I'm producing, I'm directing

1:40.5

and above all, I'm starring in. As I say, we see this everywhere in our culture. Freedom

1:49.4

reigns supreme. I become the person that I choose to be. Any appeal to objective truth

1:59.7

or moral goodness tends to be written off as an imposition of an alien will as a play

2:06.0

of power. Look, for example, to the philosophy of Friedrich Nietzsche. I've said the most influential

2:12.9

philosopher of the 19th century is Nietzsche. More than Marx, I think. Because Nietzsche had

2:18.9

the philosophy of the will to power. Everything's reduced finally to power and the play of power.

2:25.0

And so from an ego dramatic standpoint, if my play is what matters, then anytime you're

2:31.4

appealing to an objective truth or goodness, all that can be is a play of power on your

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