4.7 • 837 Ratings
🗓️ 29 October 2019
⏱️ 35 minutes
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| 0:00.0 | If you've ever read the novel, the curious incident of the dog in the nighttime, |
| 0:04.0 | then you won't be the least bit surprised by the next thing I say. |
| 0:10.0 | Mark Haddon has figured out how to make perfect sense of Pericles. |
| 0:26.7 | From the Folger Shakespeare Library, this is Shakespeare Unlimited. |
| 0:29.2 | I'm Michael Whitmore, the Folgers director. |
| 0:32.2 | Mark Haddon is a gifted novelist. |
| 0:39.3 | His work takes twists and turns that sometimes seem to only make sense in the context of his stories. |
| 0:45.1 | And what is Shakespeare's Pericles, but a series of twists and turns that often seem to make no sense at all? A while back, Haddon was one of a number of writers approached by the Hogarth Shakespeare |
| 0:51.4 | series about adapting one of the plays. |
| 1:00.6 | He ended up not writing the book with them, but as you'll hear, the suggestion did get his wheels turning. |
| 1:03.8 | And that's to the benefit of all of us. |
| 1:13.6 | His new novel, The Porpoise, is a crazy imaginative ride that swings back and forth between continents, between reality and fantasy, and between the 21st and 17th centuries AD and the 5th century BC to tell a story about, |
| 1:21.6 | well, that's hard to say, though it's not hard to enjoy. |
| 1:26.6 | Mark Haddon came into a studio in Oxford, England, |
| 1:29.7 | recently to talk about his work and where in the world it comes from. We call this podcast |
| 1:35.2 | the porpoise how he bounced and tumbled. Mark Hadden is interviewed by Barbara Bogabe. |
| 1:42.0 | When Hobart first approached you about writing something in their Shakespeare adaptation series, |
| 1:47.3 | what was your reaction? |
| 1:48.8 | I mean, hell yes, or not in a million years, or something in between? |
| 1:52.9 | I was initially skeptical about the whole project, but I certainly got back to them at |
| 1:57.1 | time and said, A, who wants a prose version of something that is extremely good |
| 2:01.6 | already? And also, you need to give writers some kind of lee wastes, a way of them owning the |
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