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🗓️ 9 March 2022
⏱️ 7 minutes
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Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.
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0:00.0 | Welcome back to the Daily Poem. I'm David Kern, and today's Tuesday, March 8, 2022. |
0:07.1 | Today's poem is by an American modernist poet. Her name was Marianne Moore, and she lived from November of 1887 until February of 1972. |
0:17.0 | Among many awards, she received the National Book Award and the Pulitzer Prize, the Bollinger Prize, |
0:22.7 | and the National Metaphor Literature. |
0:25.3 | So she is certainly one of our more celebrated and fascinating poets of the 20th century. |
0:30.6 | The poem that I'm going to read today is one of her more famous ones. |
0:33.7 | It's called Poetry. |
0:35.4 | It goes like this. |
0:42.4 | I too dislike it. There are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers |
0:48.7 | that there is in it, after all, a place for the genuine. |
0:59.9 | Hands that can grasp eyes that can dilate, hair that can rise if it must. |
1:05.3 | These things are important, not because a high-sounding interpretation can be put upon them, |
1:06.9 | but because they're useful. |
1:10.6 | When they become so derivative as to become unintelligible, the same thing may be said for all of us |
1:13.1 | that we do not admire what we cannot understand. The bat, holding on upside down or in quest of something |
1:22.5 | to eat. Elephants pushing a wild horse taking a roll, a tireless wolf under a tree, the immovable critic twinkling his skin like a horse that feels a flea. |
1:34.7 | The base, ball fan, the statistician, case after case could be cited, did one wish it. |
1:41.6 | Nor is it valid to discriminate against business documents and school books. |
1:46.7 | All these phenomena are important. |
1:49.3 | One must make a distinction, however. |
1:51.8 | When dragged into prominence by half poets, the result is not poetry, |
1:57.2 | nor till the autocrats among us can be literalists of the imagination above insolence and triviality |
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