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Sticky Notes: The Classical Music Podcast

Mahler Symphony No. 3, Part 3 (Season 6 Finale)

Sticky Notes: The Classical Music Podcast

Joshua Weilerstein

Clarinet, Timpani, Performing, Trombone, Cello, Trumpet, Bassoon, Classicalmusic, Performing Arts, Arts, Violin, Flute, Piano, Conductor, Music, Weilerstein

4.92.1K Ratings

🗓️ 10 December 2020

⏱️ 40 minutes

🧾️ Download transcript

Summary

Welcome to the Season 6 Finale of Sticky Notes! Mahler titled the last movement of his 3rd symphony "What Love Tells Me." This movement is my favorite movement of any Mahler symphony. It is a profoundly heartfelt chorale that traverses peaks and valleys of ecstasy and despair in equal measure. We'll talk all about this emotionally complex movement and how it relates to the other 5 movements in the symphony. At the end of the show, I took a moment to reflect on the previous year of shows. Please join me!

Transcript

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0:00.0

Hello and welcome to the season six final of sticky notes at the classical music Podcast. My name is Joshua Wilerstein, I'm a conductor and

0:15.3

I'm the artistic director of the Lozan Chamber Orchestra in Lozan Switzerland. This podcast is

0:19.9

for anyone who loves classical music, works in the field, or is just getting ready to dive into this amazing world of incredible music.

0:27.0

Before we get started, I want to thank my new Patreon sponsor, Richard, and all of my Patreon sponsors for making season six possible.

0:34.7

If you would like to help out the show monetarily,

0:36.3

please check out our Patreon page,

0:38.2

Patreon.com slash stickynotes podcast.

0:41.4

And if you are a fan of the show,

0:42.4

please just take a moment to give us a

0:43.4

rating or review on Apple Podcasts. Every rating and review helps more people find the

0:47.8

show and it is greatly appreciated. I'm recording this just before leaving for Lozan to make a recording of Copeland's

0:56.0

Appalachian Spring, Ethel Smyth's Quintet arranged for strings, Caroline Shaw's

1:01.0

on Tarract for strings, and Elgars, Chancant of Mata and Chancant of Nui.

1:06.0

This is a pretty strange dime obviously for orchestras who can't play for audiences,

1:10.0

but it is giving us time to really dig into our own repertoire, do detailed work, and now to bring out a recording of music that I really love and care about.

1:19.0

So I'm thrilled to be heading to Lozan this week.

1:22.0

Unfortunately, my New Year's concert with the Gertzenich Orchestra

1:25.0

in Cologne was forced to be cancelled due to COVID regulations, but we are all hopeful that as we

1:30.4

get into the new year, that the vaccine will be distributed rapidly and safely and that will be getting close

1:35.7

to some sense of concert normality as soon as possible.

1:40.0

With that said, this is the last episode of six, and at the end of the show today, I wanted to just offer some thoughts on the past year of podcasts, which I hope you'll stick around for.

1:50.5

With that, on to the final part of Mahler's Third Symphony. Oh, Maler once wrote to a critic, no music is worth anything if you first have to tell the listener

...

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