Hello, Edith here. You're listening to Soundtracking the podcast about the joys of screen music.

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If you like your movies lavish, dreamy and dripping in nostalgia,

you could do a lot worse than turn to the work of Italian director

Luca Guadagnino. Look as a filmmaker with a sensitive touch, capable of making the very specific

set of circumstances in the stories he tells seem personal and relevant to us all. Music, of course, has proved most useful when achieving this recurring tone,

not least in a bigger splash which starred Tilda Swinton as a world-famous rock star

and Ray Fines as a larger-than-life record producer.

His latest offering is The Stunning Call Me By Your Name, set in Italy, the film chronicles,

the relationship between 17-year-old Elio and his father's American student Oliver, who spent

a heady summer living with the family in 1983. Suffice to say, I'm not alone in loving it,

with critics already bigging up its chances come award season.

Luca tends not to use conventional composers in his work though.

Sufi and Stevens has written two original cues for Call Me By Your Name, both of which you'll hear shortly.

But for the most part, he relies on source music.

And given that the character Elio is a pianist,

Lucas sprinkled the narrative with piano compositions

by the likes of John Adams and Rauchi Sakamoto,

...