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ποΈ 1 December 2025
β±οΈ 33 minutes
ποΈ Recording | iTunes | RSS
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She's the most famous name in horror, and the theories behind the legend are more frightening than you'd ever expect.
Narrated and produced by Aaron Mahnke, with writing by GennaRose Nethercott, research by Cassandra de Alba, and music by Chad Lawson.
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| 0:00.0 | The exquisite green goblet must have taken untold hours of labor to create. |
| 0:14.3 | From its intricately carved sides to the gilt bronze vines entangling the rib and foot of the vessel, the Lycurgus cup is regarded |
| 0:23.1 | as one of the most impressive examples of ancient glasswork in all the world. |
| 0:28.4 | Fashioned in 4th century Rome, the Lycurgus cup is named for the mythological king Lycurgus |
| 0:34.1 | and his rather memorable death. After angering Dionysius, the god of revelry, |
| 0:39.5 | the god decided that revenge is best served absolutely insane, and so he drove Lycurgus mad. In his |
| 0:46.7 | altered state, the king mistook his own son for a length of ivy and pruned away the boy's |
| 0:52.9 | nose, ears, fingers, and toes before perishing himself. |
| 0:57.8 | In another version of the myth, Lycurgus mistakes his own foot for Ivy and snips it clean off. |
| 1:03.8 | The tellings vary, but all involve poor King Lycurgus tormented by vines and ivy to the point |
| 1:09.5 | of death, which is exactly the scene the stunning cup portrays. |
| 1:13.9 | Chiseled into the thick glass are horrifying images of King Lycurgus being tortured to death |
| 1:19.1 | by grapevines, disturbing imagery that scholars believe was meant to dissuade people from drinking |
| 1:25.1 | wine. |
| 1:26.4 | It's a stunning piece of workmanship, |
| 1:28.8 | but it's not even the carving that makes this 1700-year-old item |
| 1:32.4 | truly mind-boggling, |
| 1:34.3 | but a secret held within the material itself, |
| 1:37.7 | because when light is shown through the opaque green glass, |
| 1:41.3 | the entire goblet turns a translucent, bloody red. |
| 1:45.6 | It's called dichroic glass, an ancient practical effect achieved by embedding powdered gold |
| 1:51.2 | and silver into molten glass. The result? A mystical, color-changing spectacle that must |
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