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I want to tell you my secret now.

I see dead people.

Silent Green is people.

No, I am the father.

What's in the box?

You maniac!

You blew it up! Damn you all the hell!

Hi, this is Dana Stevens here with another Slate, spoiler special podcast. This week we're talking about Little Women, the Greta Gerwig adaptation of the classic Louisa May Alcott novel, which is not being released until Christmas

Day in good holiday movie style. This is actually more of a Christmas movie than I realized

going in. It opens on a Christmas scene. Yes, I was just thinking that this movie belongs in a

canon I've invented of movies called Figgy pudding movies, which is like where everything is

very twinkly and cozy and snowy and you sort of stand outside the window panes of this movie and you

want to come in. It just looks really warm and inviting. Yeah, it has that kind of dollhouse

factor and kind of invites you in too. I mean, I think it's a movie that isn't just a beautiful object that you look at, but that does have a kind of dollhouse factor and kind of invites you in too. I mean, I think it's a movie that

that isn't just a beautiful object that you look at, but that does have a kind of intimacy that

draws the viewer in. And we can get into that. I mean, that has also to do with the way that

...