Literary Friction - Translation with Milena Busquets, Deborah Smith and Meike Ziervogel.
Literary Friction
Literary Friction
4.9 • 593 Ratings
🗓️ 17 August 2016
⏱️ 58 minutes
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| 0:00.0 | Welcome to Literary Friction on NTS. I'm Carrie Plitt, here as always with my co-host Octavia Bright. |
| 0:05.3 | Hello, Octavia. Hi, Carrie. We've got the Brexit blues here at literary friction. So today we're going to be celebrating something that bridges borders rather than closest them. |
| 0:14.5 | Thank goodness. We're being positive. Only positive. So we will be talking about literary translation. We've deviated slightly from our usual format to bring you not one but three interviews |
| 0:26.6 | with people from different sides of translation in the UK. |
| 0:29.6 | They are Spanish author Melena Busquettes, Korean translator Deborah Smith, who just co-jointly |
| 0:36.6 | won the Penn International Prize with Han Kang for the vegetarian. |
| 0:40.5 | She's amazing. And German novelist and publisher of Pirini Press, Micah Seerfogel. |
| 0:46.0 | We'll be hearing from these three brilliant women shortly, discussing topics from what makes a good |
| 0:50.3 | translation to whether foreign fiction can ever make inroads in this country. |
| 0:58.4 | But first, let's talk about translation in the age of the dreaded Brexit. |
| 1:00.7 | Okay, let's be positive. |
| 1:06.1 | So, Octavia, in the wake of Brexit, do you think that translation is even more important? |
| 1:10.0 | Do you think translation can actually do something productive and important? |
| 1:19.3 | I do. I really do. And as a language as student, I know the merit in learning about another culture via its literature. It's kind of the perfect way in to the reality of being French |
| 1:25.0 | or German or Korean or wherever you might be from because it's |
| 1:29.8 | really an act of empathy reading and that's what I feel is so lacking at the moment post-Brexit. |
| 1:36.3 | You know, people are being very unempathetic towards one another and it's not about being right |
| 1:40.9 | or wrong. It's about being able to understand someone else's point of view and what brings you closer to that more than a narrative where you adopt the perspective of a |
| 1:49.7 | particular character. So yeah, I think it's vital. I think it's so important. Yeah. And as someone |
| 1:55.0 | who can't read well enough in another language to actually read fiction in its original form other than in English. |
| 2:03.1 | Obviously, the ideal is to read a book in Spanish or in French or in Korean, but if you can't |
| 2:09.8 | do that, do you think that translation is a good enough replacement? |
... |
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