4.4 • 13.7K Ratings
🗓️ 8 December 2002
⏱️ 35 minutes
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0:00.0 | Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs Archive for rights reasons |
0:06.0 | We've had to shorten the music. The program was originally broadcast in |
0:10.6 | 2002 and the presenter was Sue Lolley |
0:30.6 | My cost away this week is a poet. Like many of his generation of West Indians he came to |
0:35.2 | this country as an immigrant. Unlike many of them he refused to be marginalised in an unskilled |
0:40.5 | job. He passed his O-levels and went on to get a degree. From then on he used his gift for words |
0:46.4 | to entertain but also to inspire the black movement, living working and campaigning for almost |
0:52.6 | 40 years in Brixton in South London where he's known simply as the poet. He's written the |
0:57.8 | anthems for a generation who felt oppressed and victimised. With his trademark Trilby and |
1:03.4 | Goatee Beard he's now celebrated as one of this country's most influential cultural commentators. |
1:09.2 | His work is recognised by American rappers and on the streets of Soweto and he performs to |
1:14.3 | audiences in their thousands both here in Europe and across the world. Here's Linton Quasid Johnson. |
1:21.8 | Perform Linton because you're a performance poet and we're not talking here really about |
1:26.1 | little Recherche kind of poetry evenings. We're talking about you going out to kind of pop |
1:30.6 | concert-sized venues. Yeah I mean I'm lucky enough to have had the opportunity to play in big festivals |
1:36.4 | you know sometimes maybe 20-25,000 people. So you read your poetry most of the time to a kind of |
1:43.2 | reggae beat don't you but you do also just read poetry on the stage in front of that large audience |
1:48.5 | day. I wear two hats. I'm wearing the reggae artist hat and I'm wearing the poets hat. I normally |
1:56.1 | make sure I do at least one poem without the band's accompaniment to remind my audience that I |
2:01.7 | began with the word. I know they're quiet while you do it. Oh sometimes they're clapping along you know. |
2:08.2 | Because they're such a heavy beat. If they can pick up on the rhythm of the poem they sort of clap |
2:13.4 | along. You began with the word as you say back in the 70s but also a very special type of word |
... |
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