Liesl Tommy, Director of “Respect”
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 13 August 2021
⏱️ 15 minutes
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| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:08.8 | Welcome to The New Yorker Radio Hour. I'm David Remnick. This week, a new film about Aretha Franklin hits the theaters, and it's called, what it should be called, respect. |
| 0:23.6 | Aretha Franklin was the Queen of Soul, the greatest voice of her generation, |
| 0:27.6 | far none. |
| 0:28.6 | She was an 18-time Grammy winner whose career spanned five decades. |
| 0:33.6 | She was also famously private, which made producing a biopic a little more challenging. |
| 0:39.7 | The job of telling Aretha's story went to director, |
| 0:42.5 | Liesel Tommy, who comes from the theater. |
| 0:45.1 | Tommy has directed musicals and plays, |
| 0:47.7 | and she was nominated for a Tony in 2016. |
| 0:50.8 | She's also directed episodes of TV shows, including The Walking Dead and Jessica Jones. |
| 0:55.4 | But respect is her first feature film. |
| 0:58.4 | I have to ask, I mean, so your first film, you choose, you know, just sort of as a warm-up, |
| 1:03.3 | kind of, you just decide to take on this very small, obscure subject, Aretha Franklin. |
| 1:10.0 | Liesel Tommy spoke the other day |
| 1:11.6 | with the staff writer, Vincent Cunningham. |
| 1:14.5 | So I just wanted, like, I would just love to know |
| 1:17.5 | how this film becomes your debut. |
| 1:20.7 | Like, I mean, what was the process? |
| 1:22.2 | How did you become the director of this film? |
| 1:26.3 | Yeah, no, it does seem crazy. |
| 1:29.5 | I spent a lot of time during COVID talking to students, |
... |
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